Improvijazzation Nation, issue # 75
# 75
Issue # 75 REVIEWS
An ANNOUNCEMENT about IMPROVIJAZZATION NATION!!! I’ve been tagged as a replacement for someone (over) in Iraq… I’ll be leaving (sometime) in late December or early January!!! For that reason – please SUSPEND ALL SUBMISSIONS to us… but, DO NOT “write us off”!!! I’ll be back sometime early summer 2006, & will notify all of you when we’re able to take your submissions again! Please SPREAD THE WORD to folks you know who send us review material, too… I will NOT BE REVIEWING material until after I get back in summer, 2006!!!!
FEATURED Zzaj Productions album samples –
We now have 3 TOTALLY FREE CD’s (with free cover art) available for download at our NETLABEL site! The only thing we ask is that you scroll to the bottom of the page(s) & give us a REVIEW! Please ADVERTISE this to ALL your friends… tell them we are GIVING AWAY music!
Margie Adam – PORTAL: Lay back easy in your big cushioned office chair (or th’ “beanbag” thang, if you’re still in ’60’s “hippie mode”)… either way, as you watch the integrated slide show that rolls across your screen (from the DVD), you’ll be taken back years & years to an earlier time (as in Stonehenge, Scotland, etc.). Pleasant is the word that comes to mind in the immediate, though other descriptive phrases/words will come a-floating as well… “Leprechaun”, “Celtic” & all the others you’ve heard that pertains to the majick of those yesteryears. Also included in this set is a full-length audio CD that features Ms. Adam’s absolutely stunning keyboards… introspective, yet vibrant, I’m easily reminded of one of my favorite American piano composers, John Alkins. Margie paints rich sonic images that will (both) relax and inspire you… and your soul. I really enjoyed her simple, yet talented, approach to playing… many solo piano compositions tend to “rush” the listener with “too much” content, if you know what I mean… Margie’s pieces help you to relax, mainly because she (clearly) knows that (often) “less is better”. I am highly impressed… enough so that I rate this as (not only) MOST HIGHLY RECOMMENDED, but also give it the “PICK” of this issue for “best solo piano”! Get more information at her site – www.margieadam.com …& tell her “Zzaj” sent you, of course! Rotcod Zzaj
Ed Drury & Mental Anguish – ELECTRONIC AMERICAN: One of the best things about having written this review ‘zine for so many years is that I frequently get to hear “old friends” (like Chris Phinney, aka Mental Anguish) paired up with new sounds/players. I’d been admiring Ed Drury’s music over at www.mixposure.com for some many months before I realized that he’d done a lot of collaborations with Chris, & (so) asked Chris to send me some of their work together. It’s the title track that holds my ears most firmly… great electronique (from Chris) woven together seamlessly with Ed’s flute magicks. Very, very accessible, yet with shadows of ancient rhythms & tribal rites that offer up “visions” of our past (and future). The other beauty of their music(s) together is that it’s so unique and creative… you haven’t heard music like this before, & unless you keep on spinning this CD, you’re unlikely to. “Terrible Mistake” is my favorite cut on the album, featuring some haunting spoken-word snippets & sound byte integrations (especially the stuff from “Shrubbie” & “Adolf”)… really paints a clear picture of where the revolution will come from! If you haven’t found the holy (musical) grail yet this year – GET THIS… it is indeed MOST HIGHLY RECOMMENDED! Get more information via www.harshrealitymusic.com or www.rdrop.com/~mulara/ Rotcod Zzaj
Knitting By Twilight – SOMEONE TO BREAK THE SILENCE: A very “odd” CD… doesn’t “fit” into any clean little niche… difficult to classify for the prospective listener… but that does NOT mean that it’s not great – in fact, it IS, just because it’s different. Starts off with a very interesting guitar rhythm, flows (ever so gently) into the drum beats down under & paints a very calming sonic picture for your mind. Track 2 opens with the beats & then weaves violin/string/synths into an almost psychedelic piece with (some) overspeak. That’s what this most reminds me of, actually.. a “head” album from the late ’60’s or early ’70’s… & that’s a good thang… highly creative & well crafted music that will transport you beyond the norm & make you think! I’m loving the fact that this all-original music would fit for listening out on the road, as well as in your home aural chamber. The more I listen, the stranger it gets, in a semi-rock vein – with the focus on strong (& crystal-clear) percussion. A GREAT little CD that gets a MOST HIGHLY RECOMMENDED from us, especially for those listeners who demand “different”. Get more information via www.overflower.com Rotcod Zzaj
Wayne Peet Quartet – LIVE AT AL’S BAR: Live sets are very difficult to record, but this CD captures it perfectly… Peet’s (Hammond) organ is the centerpiece, but the hot/scorching guitar works of Nels Cline & G.E. Stinson, along with the superb drums of Russell Bizzett, will smoke yer’ ears! 3 very, very long sets (the longest clocks in at 16:35) that will make you feel like these guys are right there in yer’ living room… all original, which makes it even better for the dedicated listener. My favorite piece is the 3rd track, “Inner Funkdom”, mainly because of the “roots” funk bass sounds that Peet keeps running with his left hand. This album takes me way, WAY back… early-to-mid ’60’s feel, with guitars on the right & left side of yer’ headphones (just) screamin’ in yer’ ears at full tilt! You can’t classify this as “jazz”, per se, nor can you call it “just jam”, because the organ keeps it in the realm of accessible. I’d recommend headphones for your first listen, to be sure… you need to be totally focused for this kind of music, or you won’t catch all the little nuances that are going on…. something new each time you listen back through. Total fun & great musicianship make me rate this as HIGHLY RECOMMENDED for folks who love extended-set high energy (almost nuclear) jams. Get more information at www.pfmentum.com Rotcod Zzaj
Alexander McCabe – THE ROUND: There is (literally) nothing more pleasant than a great jazz CD like Alexander has produced on this release… through one’s ears, into the brain & right on down into th’ deepest parts of th’ soul, McCabe’s alto sax reaches out & touches your spirit with the stuff that jazz dreams are made of! He’s joined by Joe Barbato (piano/accordion), bassist Ugonna Okegwo & drummer Steve Johns – perfect quartet! All original tracks, which helps to elevate the sense of involvement the listener has with the music… ‘coz listeners who are truly into jazz will always pick originals over covers (no matter how well performed, or exciting they are). This is Alexander’s first national release (due out in the racks on October 11th)… & it’s a “smash hit” here in th’ Zzaj inner sanctum. All th’ way from the beautiful lead-in track, “Floating”, to the high-energy (& most innovative title track, which features Barbato’s accordion), you’ll find yourself on a voyage of jazz discovery that will sate even the most jaded jazz listener. This is one of the most fantastic listens I’ve had this year, & this CD will be in my racks for years & years to come (in the front of the stack). I give this one a seriously deserving MOST HIGHLY RECOMMENDED! Get more information at http://amccabemusic.com/ Rotcod Zzaj
Craig Schumacher – NEW SHOES: Kick back, light up somethin’ relaxing & think about where “the blues” really comes from… all original tunes, with Craig doing both vocals & some wonderful acoustic guitar pieces that will transport you beyond the realm of “regular”, as you find yourself arriving at that smoky lil’ after-hours joint that’s always in your dreams. Gary Berg’s harp & sax work contribute a lot to that “feel”, too, but all the players (Dean Granros on electric guitar, Kenny Horst on drums, Chris Bates doing bass & Donnie LaMarca’s piano) have interpreted Mr. Shumacher’s sweet aural visions perfectly for your ears – they’re tight through & through. This kinda’ music is what I refer to as “slinky”… I always get a vision of a snake slithering when I hear this kind of music… not sure why… it just kind of sneaks up on you & grabs you right where your soul is. My favorite track (from that standpoint, anyway) is cut 6, “The Right Thing”… pure slithery FONK, volkz! A highly creative CD that will entertain you for hours on end, with th’ ‘phones on, or out on th’ road, this one gets a HIGHLY RECOMMENDED from our ears! Get more information at www.shoetunes.com Rotcod Zzaj
ZeroOne – ULTRA ZONE: This is some of the strangest music I’ve heard (yet) from our pal Jim Konen, out in Pontiac, Michigan. I’ve recorded with him before, on some more “straight-ahead” jazz & blues type(s) of music, but this solo outing as ZeroOne is much more in the “space music” realm. All relatively short pieces that will remind you of aural images you would have when reading a juicy remote-galaxy space adventure… think alien, think plowing through comet’s tails, think gigantic clanging, banging spacecraft plowing through asteroid belts, & you’ll have a pretty good idea of just how “far out” Jim’s guitar antics will take you on “Ultra Zone”. As always, the driving rhythms that exist “down under” his guitar layers will take you into “zones” you never knew existed before… probably ‘coz they didn’t… these are very unique “Konen Kreations”. I have constantly been impressed with Jim’s work, & this CD is no exception… travelers who only want to travel in a “comfort zone” need not apply, but listeners who thrive on “different” & “new” will agree en toto when I declare this to be MOST HIGHLY RECOMMENDED. Get more information via e-mail to mrbotty@whiterobotrecords.com Rotcod Zzaj
The Rick Ray Band – TEMPORARY WORLD: Anyone who has heard Rick’s bands before will know (already) that they ARE th’ “smokers” of rock today… carrying on a rock tradition that seems to have been lost for many of today’s young listeners. We’ve reviewed a LOT of Rick’s CD’s, but I didn’t realize that he’s all the way up near 30… this album is # 28. It’s clear as you listen to the excellent band he’s assembled (Chuck Abraham, vocals; bass by Jack Ambrose; great reeds from Rick Schultz, drums by Sam P.J. Glorioso & guitar/keyboards by Frank Pellino) to play against/with/around & alongside his own scorching guitars, that Rick just loves the music… anyone who can’t hear that shouldn’t even listen to the rooster in the morning. This is one of his most vibrant albums, with superb recording & strong music through & through. We’re REALLY impressed – AGAIN! This get a MOST HIGHLY RECOMMENDED for rock listeners the world ’round! Contact him on his site via email to rickrayband@hotmail.com or snail to Neurosis Records, 4020 Logan’s Way, Perry, OH 44081 !! & do it TODAY!!!! Rotcod Zzaj
Jim Mcauley – GONGFARMER 18: If it’s solo improvised (acoustic) guitar you love, you won’t be able to do without this debut release from Jim. It probably won’t be everyone’s “cup of tea”, but for those in our readership who can’t do without some “originality” & some “new”, this IS the TICKET. He’s totally talented at weaving your mind into the mix, often to the point that you’ll forget where you are, or what you were doing… “acoustic amnesia”? One reason Jim is so successful at this is that he knows how to use the “open spaces” between notes… he’s not afraid to leave a note hanging open, but totally capable of inserting a tone you had no idea would be there… either rhythmically, or melody-wise. Prepare yourself by making sure you’ll have no interruptions, then put th’ headphones on & cruise off into the dream(s) Mr. Mcauley paints for you. I was highly impressed…you will be too… Jim “has the magic”! I give this one a MOST HIGHLY RECOMMENDED for all but the “non adventurous” among us. Get more information at http://ninewinds.com/, or send e-mail to ultimatefrog@comcast.net Rotcod Zzaj
Moodfood – ICE: If that group name had come from any other than the “Soulfood” label, I doubt it would have gotten reviewed for a while. Since we’ve reviewed quite a bit of stuff from “Soulfood”, though, I suspected this would be great… & my ears certainly weren’t disappointed. The opener, “Kaif Kun”, reminds me (somehow) of early “Sting”, probably from the rhythmic persuasions & vocal echo effects. DJ Free & Peter Schimke have joined forces to astound your ears with up-to-date & non-cliché beats that often approach somethin’ you might call “World Jazz”. It’s danceable as well, & has flawless execution of rhythm. Some very pleasing synthesizer works… my favorite cut is “Martini House”, which takes my ears way back to bands like Spyro Gyra, & keyboardists like Joe Zawinul (Weather Report). This is an excellent album through & through, with something for every listener’s ears. I give it a MOST HIGHLY RECOMMENDED! Get more information at www.soulfoodmusic.com/wr_cd_9a.cfm Rotcod Zzaj
Paula Lammers – A BLANKET OF BLUE: & that is what it IS, folks! Definitely laid-back, pleasant vocals that will wrap you up & make ya’ warm (in your heart). Debut releases are always fun, ‘coz th’ energies are KICKIN’, & that certainly holds true for Paula’s “on” vocal style. What you’ll notice right away is how clear the words she sings are… & not in a “high style”, either… you know, some singers kind of “affect” their language & come across sounding really phony… that’s not true with Ms. Lammers at all! She’s purely original in her presentation & performance. Most of the tracks are covers… so, for her next outing, hope she’ll include (at least) a few more originals… the one she does include – “Goodbye – Again” – is my favorite cut on the CD, in fact. She’ll reach right out & touch your soul, to be sure… excellent singer, excellent music, excellent album. This one gets a MOST HIGHLY RECOMMENDED for any listener who wants to get “wrapped up” in Paula’s beautiful “blanket of blue”. I’m impressed, & you will be too! Get more information at www.paulalammers.com/ Rotcod Zzaj
Jim Wilson – A PLACE IN MY HEART: This is a very pretty piano CD, featuring Jim on his 5th album. We’ve reviewed his works before & have been truly impressed with the beauty he’s able to express. As you might glean from the title, this isn’t “hard-edged” or improvised… very much like what you’d hear on a PBS special with Yanni, or someone like that. If your ears are thirsting for well composed music that is both relaxing & inspiring, this will be your ticket to Nirvana. It’s a totally professional recording, with track titles & author info burned right onto the CD… very handy if you don’t want to dig through liners & jackets to find out who composed the piece. Of course, these are all Wilson originals, which makes the pieces ever more attractive to me… originals always have (much) more fire, methinks. I give this one a MOST HIGHLY RECOMMENDED for any listener who wants something to be inspired by. Get more information at www.jimwilson.net/ Rotcod Zzaj
Thelonious Octopus – SOME GLAD MORNING: Our first listen to Jeff Stoneking’s works as “T.O.” is most interesting… high-end sculpted electronics in compliment to a sermonette in re: “The Greatest Of These” leads off… & on into lots & lots of other religious-overspeak wonderments that feature some very interesting electronic beat thangs. The title track is something entirely different than you may have imagined… certainly not a “quiet” piece of “solitude”, suffice it to say… little strange snippets of voices, heavy pounding beats & aliens in disco mode (or something like that). My only critique (& it’s a frequent one these days) is that the titles aren’t “burned” into the CD… use “Nero”, or some other burning tool that permits the titles, author info, etc., to be permanently burned on the CD, next time. That is no “detractor”, however, for the seriously dedicated listener… if you’re looking for well-recorded D.I.Y., with great quality & high energy, this one comes MOST HIGHLY RECOMMENDED! File under “strange”, to be sure! Get more information, or purchase the CD, at www.cafepress.com/thelonious Rotcod Zzaj
Picoso – PICOSO: I first listened to Izaak Mills a couple of years back, at the Olympia Experimental Music Festival… that set was (as you might imagine) significantly more in the “outer zone” than this fine lil’ Latin-based CD. When Izaak’s dad handed “Picoso” to me for review, he made note of that, saying that it was more “accessible” than that earlier stuff. Well, he was right… 11 high-energy pieces that take me (way) back to mem’ries of Astrud & Joao (Gilberto), along with Stan Getz… those with Spanish language skills will find the vocals exciting & full of life (but those (like me) who are limited in that arena, are taken care of, too… the singer does an English-language version on some of the tracks, too). “Puerto Rico – (Yeah! Yeah!)” is my favorite track… decidedly Cubano, but with a big-band be-bop flavor… a very cool tune! The recording is excellent, pulling out the conga & percussive sounds better than most albums you’ll hear anywhere (I suspect that may have something to do with the fact that our friend Doug Haire was involved with the recording). I would recommend that the track titles be “burned” onto the CD next time, as most folks don’t want to have to keep running back & forth between the track playing & the jacket, just to see what the title is. A very pleasant listen that gets a HIGHLY RECOMMENDED from these ancient ears. Get more information at www.picoso.net Rotcod Zzaj
Patty & Abigail – HERE WE GO AGAIN: Well, now, this CD is a change of pace, to be sure. Lil’ bit o’ this, lil’ bit o’ that, stylewise. My ears hear is as having solid roots in modern country, but their vocals tend to keep it in the pop realm. Nice acoustic & electric guitar compositions that will appeal to all different kinds of listeners. The most intriguing tune (for me) was “Run Away” (track 8), probably because the instrumentation has a “haunted” feel… the vocal extends that feeling to “sad” as well as ghostly. These ladies show high energy for their music, as well as well honed skill. This music won’t appeal to hard-core jazzers, or those who want skulls & crosses in their trax… but anyone with (even a slight) sensitivity & heart will find this quite enjoyable. Very pretty music that will give you hours of listening pleasure. I give it a HIGHLY RECOMMENDED for lovers of soft-rockin’ pop music everywhere! Get more information at www.pattyandabigail.com Rotcod Zzaj
Ezra Weiss – PERSEPHONE: Some of the finest (& most intricate/inspiring) jazz you’ll hear in 2005 is on this new CD, which hit the streets on 20 September, 2005. Weiss’s keyboards are superb, involved without being overbearing. 9 totally original tracks that display great talent (on the part of all members of the sextet)… even without reading the liners, where they talk about Ezra’s fascination with Greek mythology, you’ll know (right away) that this is music that will be near/dear to the Gods! What really happens here (as with creative music anywhere) is that Weiss creates his own musical stories… & though the sextet format is (nearly) too close to “big band” to qualify as “intimate”, they pull it off… one reason for that is skillful use of silent space, as well as full-bore playing… some of the bass interludes are excellent. My ears were mightily impressed, as will be yours… Mr. Weiss “digs deep”, exploring territory that blues may once have inhabited, but keeps his compositions firmly rooted in jazz forms! I rate this as MOST HIGHLY RECOMMENDED for anyone who wants to hear what “tomorrow’s music” is going to sound like. Get more information through www.ezraweiss.com Rotcod Zzaj
Nicholas D’Amato’s Royal Society – NULLIUS IN VERBA: I’m not exactly sure what Nicholas’ music can be classified as… or, if it even should be… what I can say, without qualification, is that it’s highly original, & full of great energies! All original tracks, featuring D’Amato’s bass, drums by John O’Reilly & great galloping guitars by Wayne Krantz, these compositions will thrill jazz fans who’ve been lookin’ for something “more” than standard. Every tune is rock-solid, anchored in bass & drum works that keep the listener wondering where they’re going next… what my ears dug on the most was the improvised aspects of each of the tracks – they go much further than “just jam”, plumbing the depths of a particular rhythm for all of it’s nuances. “Smooth jazz” fans probably won’t like the music here much, because this kind of music challenges the listener to actually comprehend what the players are saying with their music… but those with (even a bit of) adventure in their ears will “get this” right away. This CD will be a “treasure” in the collections of those who enjoy something “different” in their listening. I rate it as MOST HIGHLY RECOMMENDED… in addition to giving it the “PICK” of this issue for “best improvised jazz trio”! Get more information at http://buckyballmusic.com/ Rotcod Zzaj
Suzanne Ciani – SILVER SHIP: It’s been quite some time since we received a CD for this splendid artist… you can check back issues for reviews we’ve done of her (issues # 21,& 25, for instance)… what you’ll find is that we hear her musical talent as occupying a “special” place. Suzanne doesn’t restrict her vision to one “genre”, or even one “instrument”, for instance… while it’s true that her main instrument is keyboards, she seems to be equally at home with acoustic or electronic. On “Silver Ship”, she’s joined by a whole host of players, too long to itemize here… the main thing to point out is that she has integrated their sounds flawlessly, and with great energy coming across to the listener. If you’re not fully enchanted after you listen to the beautiful title track (which includes magical vocals), you probably have little vision yourself. You can’t “classify” Ms. Ciani’s music easily… there are certainly elements of “new age” here, but she easily transcends the limitations of that classification… what she composes/plays is pure joy for your ears – and your heart! We’ve missed hearing Suzanne’s all original wonders, but I can tell you – she’s back in full force, folks! This gets a MOST HIGHLY RECOMMENDED, without another moments’ thought! Get more information, or purchase at www.sevwave.com/ Rotcod Zzaj
Michael Pagán Big Band – PAG’S GROOVE: If it’s “Big Band” jazz you love, this CD will be one of your favorites for a while to come! It takes a little while for Michael’s wonderful keyboard chops to come in as the lead instrument… which is what you’d expect, since th’ rest of the “big band” kind of “sets it up” for his leads. He’s clearly a very talented player, & easily able to convey a sense of excitement & high-energy to the listener through his fingers! We’ve reviewed him before, tho’ not as leader… check issue # 65 1/2. The title track is my favorite piece on the album, & I suspect it will be yours, too… good ol’ 12 bar blues in tribute to “Bag’s Groove”, of course, with great solos from Garner Pruitt (trumpet), John Hines (trombone) & Greg Harris (vibraphone). The arrangements are superb & the recording is among the best I’ve heard this year. True jazz fans will want to hit th’ racks ’round September 13th, when this one is released… get your own, NOW! I give this one a MOST HIGHLY RECOMMENDED, especially for those who want full-bodied “Big Band” jazz! Get more info on the label site, at www.caprirecords.com Rotcod Zzaj
Patrick Ryan – KNOWLEDGE: Highly energetic & vibrant tropically-flavored musical “punch” that will get yer’ feet (& your soul) movin’… heavily influenced by the lyrics Ryan pens for tunes that infuse “world” with meaning for your ears. It’s an odd mix of styles, nothing you can pigeonhole easily, & of course that (alone) makes it get a HIGHLY RECOMMENDED from my ears. If you had to “peg” it, you would have to chop it up into sections… a little rock, a little “art-house”, a little “reggae” & that. The cut-outs from “Reefer Madness” in the title track make that one my favorite cut on the album… funny, FUNNY! There are sections on this cut (& others) where I hear a bit of “Talking Heads” floating through, too. This Ryan dude is a long LONG way from where he grew up in Iowa… been down a few roads since those days, & you’ll hear that clearly in his music. Patrick has done a great job of (both) performance & composition, & any listener who likes a lil’ bit of “strange” in their R&R will dig DOW-un on this CD. Well done, Mr. Ryan! Get more information at www.8earthrecords.com/ Rotcod Zzaj
Gini Wilson – SFCJQ: That stands for “The San Francisco Chamber Jazz Quartet”, & jazz is the keyword, to be sure. We reviewed Steve Heckman (soprano & alto sax, clarinet & flute on this outing) in issue # 74, & were highly impressed… as we are here. Gini’s piano, along with superb bass from Pat Klobas, drums from Ron Marabuto & a vocal guest shot from Jackie Ryan & Badr Karram playing Dumbek, congeal into one of the tightest jazz quartets we’ve heard in a while. The CD features a whole array of original pieces by Ms. Wilson, not the least of which is “Lucky Monkey” (the instrumental version), my fave track on the album… it just rocks & jumps! Heckman has a couple of originals featured, too… I’m especially fond of “O Town Blues”, which blends Gini’s sweet keyboards with a really full-throat sax sound, & kicks right along… perfect music for th’ road! If you’re looking for a jazz album that will take you along for a joyride – GET this one… it’s MOST HIGHLY RECOMMENDED for jazz fans th’ world over. Get more information at www.chamberjazz.com Rotcod Zzaj
Eric Roberts – IN A SILENT PLACE: Mr. Roberts guitar works will definitely take you to a place where “silence is to be treasured”. All originals, which makes it immediately apparent to the listener how talented Eric is… his spirit shines through each gentle acoustic guitar passage, & will transport you to regions of your soul you didn’t even know existed. There is far more than just cliché guitar phrasing here, too… my favorite track is “Journey Through Time”, which features Eric on Guitar & Guitar synth, as well as David Darling on Cello & midi-percussion… a timeless high-energy composition that will “take you there” – across the eons, to be sure. He also does some marvelous spontaneous improvs… both solo (“Reflections I through III”) & accompanied (“A Stringy Dialogue”) by Mr. Darling. Other players featured are Ed Contreras (percussion) & Robert Weinstein (guitar). If your body can’t relax as your ears absorb this wonderfully relaxing music, you probably belong in a “ward” somewhere, getting “the cure”… on the other hand, this music probably can provide you with a cure, for all but the most aberrant souls, that is. I’m impressed enough to rate this one as MOST HIGHLY RECOMMENDED. Get more information, or purchase, at www.dmamusic.org/roberts Rotcod Zzaj
Jessie Allen Cooper – PACIFIC LOUNGE: Shades of Kenny G, in 21st century clothes & mindset… there is a significant difference, though, from Mr. G’s albums (especially towards “the end”)… that’s Tim Ponzek’s great acoustic piano. A perfect match with Cooper’s soulful soprano. There seemed (to me) to be a penchant for ballads & pieces that stay (almost) too close to the “smooth jazz” tradition, perhaps because of the acoustic keyboards… I would have liked to have heard at least a couple of tunes with more “bounce” to them. Though the titles were burned into the CD, they didn’t include author (nor did the liners), so that’s a slight detractor… I like to know if the tracks are originals. Those listeners who want music that tugs at the heartstrings will find this a total winner, but more adventuresome ears will probably go to other bins in the racks. Nevertheless, no one can say that this isn’t great & expressive music… because Jessie/Tim clearly know what they want to say to the listener, & they do it very well. I give this one a HIGHLY RECOMMENDED for any/all who are in love with smooth jazz energies. Get more information at www.coopersoundwaves.com Rotcod Zzaj
Oscar Reynolds – RIVER OF LIGHT: This CD is, quite simply, the best album I’ve listened to in this issue… extremely well-recorded, and full of supremely soulful music from the heart, his compositions are just so easy to fall in love with. The fact that so many of the players are from Bolivia has a lot to do with the Latin “flavor”… you know, lots of flamenco, high-end flute & percussion aplenty… the difference is that Mr. Reynolds is able to use the flutes to take this to a level of “world music” that will be totally attractive to your ears, without being cliché in the least. All the titles are burned right onto the CD, so there’s no need to go flipping back & forth between the liners & the media. Oscar’s cast of characters is too large to itemize here… you’ll have to purchase the CD. “Estrellas Azules” is my favorite track on the album, because of the superb guitars & percussion, but since they’re all Reynolds originals, there will be very little your ears don’t like. I’m highly impressed, & expect we (and you) will be hearing a LOT more music from this master. “River Of Light” gets our MOST HIGHLY RECOMMENDED rating! Get more information on his pages, at www.karumanta.com/music.html Rotcod Zzaj
Kerry Politzer – LABYRINTH: I’m not sure this is the title I’d have picked… as it can imply “jumble”, or “muddle”… what Kerry’s doing here is not in the least confusing… we reviewed another of her CD’s in issue # 58 (WATERCOLOR), & were highly impressed with her clear directions on that one, too. “Labyrinth” is much more Brazilian-jazz oriented, & that may have a lot to do with why my ears dug it so much, I’m not sure. I believe the other attracting factor is that all these tracks are Politzer originals… highly energetic compositions, which is always a plus for these old ears. My only critique is that the CD should have the titles & track info burned TO the CD, so the listener doesn’t keep having to run back & forth between the jacket & the player. She’s joined by some fine players, too.. Andrew Rathbun on tenor & soprano saxophone, Chris Higgins on bass & George Colligan on drums… a truly tight quartet that will have jazz listeners around the globe thirsting for more! She has a “lush” touch on the boards, & is quite comfortable “out front”, as well as comping behind superb sax or bass… this is listening you’ll get excited about (or at least your ears will). We give this gem a MOST HIGHLY RECOMMENDED for jazz aficionados everywhere. Get more information at www.kerrypolitzer.com/ Rotcod Zzaj
Amy Banks – WHEN THE SUN COME OUT: The “keyword” for Amy’s vocals is… “rich”. You can add any other words you hear… there will be many… “vibrant”, “energetic”, maybe even “hot”. Her debut jazz CD features some wonderful jazz players as well… Allen Farnham (piano), Steve Rudolph (piano), Steve Varner (bass), Rich DeRosa (drums), Tim Warfield (saxophone) & Tony Miceli (vibraphones); though some of these players are legends in their own right, the arrangements feature Ms. Banks prominently, & her soulful vocals transport you to that jazz nirvana you’ve been lookin’ for all your life. Most of the tunes were written by other players, but track 8, “Ruined For The Rest”, is an Amy original (co-authored by pianist Steve Rudolph) & it literally shines… lots of crystal-clear energy & some nice scat at about 2:30 or so. I’d like to hear more originals on her next album, but that still doesn’t detract from the rating… this gets a definite MOST HIGHLY RECOMMENDED for any/all who gotta’ have “the spirit” in their jazz listening. Keep your ears tuned to this lady… she’ll be around for a long time to come! Get more information at www.amybanksonline.com Rotcod Zzaj
The Screwdrivers – SHAPE OF A BIRD IN TRANSIT: Another rawk-in’ lil’ gem of a CD from these folks, whose first album we reviewed in issue # 59… this ’round seems (somehow) more “jangly” & “hard-edged”… not sure why. Now, you might take that as a “hit”, but from a rock perspective, that’s not th’ deal at all… I’m reminded of the spirit of the ’60’s, when new talent was croppin’ up on every corner! This album sounds much more like a “live” recording (whether studio or show)… much more spontaneous & energy-filled. Just the kinda’ tunes you’d want to listen to if you were driving cross-country, right around Missoula, Montana, I’d think… lush country, rich rock-roots music that will trip you right on through the forests ’round th’ road. If you’re lookin’ for wild-assed improv, or sophisticated chamber music… move on… this is “down-home” flavored guitar music that’ll turn your krank! I give it a HIGHLY RECOMMENDED! Contact at 9 Crescent St., Easthampton, CT 06424, via e-mail to mail@thescrewdrivers.com or on their site, at www.thescrewdrivers.com Rotcod Zzaj
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We were especially happy to receive the following 8 poems from our most poetic friend, Golda Solomon. As you’ll see, she “speaks from the soul” – THANKS, Golda!
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Pantoum for a Saratoga Springs, NY Jazz Festival
Always steps ahead. Dressed to kill.
Miles blows colored dissonance this festival day
Opaque balloon pants in billowy royal hues
Like pieces of eight woven with gold thread
Miles blows colored dissonance this festival day
Pirate ship stage, masts of electrical equipment
Like pieces of eight woven with gold thread
Sound buffeting sheer white sails
Pirate ship stage, masts of electrical equipment
Vast sea of audience held captive
Sound buffeting sheer white sails
We willingly walk the plank
Vast sea of audience held captive
His sword ready to smite us
We willingly walk the plank
Late afternoon shadows – brush strokes on this jazz galleon
His sword ready to smite us
Glints of mischievous sheen on his chocolate locks
Late afternoon shadows – brush strokes on this jazz galleon
He blows directly into the speakers
Glints of mischievous sheen on his chocolate locks
Strutting from one black monolith to the other
He blows directly into the speakers
McLaughlin’s guitar shocks Miles
Strutting from one black monolith to the other
Mutiny thru an electrical storm
McLaughlin’s guitar shocks Miles.
He stays with Miles, then leads Miles
Mutiny thru an electrical storm
The speakers cackle back obscenities
He stays with Miles, then leads Miles
El Capitan smiles broadly
The speakers cackle back obscenities
Sound waves on ionized dust particles
El Capitan smiles broadly
Keys and modes jump ship
Sound waves on ionized dust particles
Wet notes come spraying out at us
Keys and modes jump ship
Melodies disappear, crackle, curdle
Wet notes come spraying out at us
Captain Hook on trumpet navigates a new course
Melodies disappear, crackle, curdle
This is power forty fathoms deep
Captain Hook on trumpet navigates a new course
Opaque balloon pants in billowy royal hues
This is power forty fathoms deep
Always steps ahead. Dressed to kill.
Golda Solomon@2002 www.jazzjaunts.com . gs@goldajazz.com
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for harlem in the 1960’s
harlem
my day gig
my night hang
sunlight patterns the broad boulevard
at 117th st. a church going woman
blesses me
saxman setting up on his corner
beat up case with a faded lining
readied for nickels and dimes
his chops gone
his shoes shined
pomade slicked nappy grey afro
he nods
we speak without words
he knows i’ll stop and listen later
he’ll play on green dolphin street
without me asking
i’ll drop my loose change
a mangy dog sniffin’
for a pork chop
in a bag at the curb
comes up with a discarded hi top sneaker
chews
growls at the knotted laces
i pass
save your soul storefronts
damn your soul liquor stores
open tremored hands
winos holding pint size brown bags
tastes of cheap booze
it’s never too early for a fix
ashy faces of dead presidents
framed on folded bills buy smack
-2-
exhaust fumes darken the air
uptown and downtown busses
tout life on elsewhere avenues
a lost yellow cab
stops at a light
engine revving and ready
i have my routine
a sense of place
here
i turn a corner
boarded up brownstones
etched brass doorknobs chained shut
a regal past for sale
the blues walks these streets
stalking the next generation
lunchtime i brown bag it
relax on a bench
periphery of mt. Morris park
listen to quiltings of conversations
matriarchs
resting knarled toes
fall and spring i walk
in winter hibernate
eat with teachers who care
any many who do not
i get to know
my territory
i minister to small groups
changing ye’th’s into yes
mowf into mouth
bending vowels, suggesting
alternatives of articulation
spoken currency below 110th st.
-3-
seasoned idioms
dance with
my brooklyn
the south
still at war
with the north
will i wait my turn at the
better pie crust company
take home a sweet potato pie
or buy
a bean pie from a suited x
hawking muhamed speaks
we’re all hungry
for truth
aren’t we
we see
too many truth sayers
assassinated
II
street lights have a different glow
from dusk on
drop me off in harlem rhythm
the theresa’s past its hey day
fidel’s upraised fist
gone
sro’s dot the landscape
international
houses of poverty
white rookies pullin’ the wrong precinct
trigger happy pimple faced cowboys
afraid of the dark
sequinned he/she ho’s
too much makeup
hope for a good night
-4-
musk of maryjane
perfumes garbage
in overfilled cans waiting to be picked up
i hail a black beauty taxi
traffic lights
synchronized
reds and greens
like a flight path
lighting the runway to jazz joints
i land at wells
sounds succulent
golden squares of waffle
siren’s song for syrup
regal crusted breasts
fried chicken
batallions of legs and thighs
night welcomes me back
to my adopted neighborhood
biting this juicy uptown apple
quenches my thirst
scotch turns milk creamy
my uprooted european roots
dig
this hybrid soil
brown arms of jazz
mother
my blues
dark jazz
wails through horns
primal notes
my lost childhood
can’t be found
like a misplaced library book
-5-
only i can
forgive my too early
loss of innocence
the bass
lays it all
down
hungry and thirsty
my freudian dwarfs
i am not snow white
any more
the piano man
plays my story
i’m a snapping
turtle
of desire
other’s expectations
once seemingly important
disappear as the tune ends
Golda Solomon@2005 www.jazzjaunts.com. gs@goldajazz.com
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NY Times January 16: Devanampattinum, a village
This is India’s ravaged southeastern coast
This Tamil speaking region far from Munbal
Shy smiles of an old woman
show betel – stained teeth
A barefoot little girl giggles, trails after him
He swoops her up – her first Prince Charming
A safe memory to build on
Young men’s calloused hands
Want to shake his outstretched pumice smoothed ones
No Hindi speaking Bollywood picture house
Movies rare here
Thatched huts – homes – lives – lost
Dead of summer
This peaceful fishing village of 3000
Disfigured landscape
Tsunami caught 71 fathers, sons,
Mothers, sisters, boys, girls in its net
This slow paced vacation retreat
Getaway from a pressured money making industry
This movie idol works among them
Walks the tattered route
More rupees needed
More than a genies three wishes can provide
Debris strewn dreams
Like their fishing nets need mending
Twelve fishermen
Set out in newly repaired boats
This same sea is now tranquil again
The day before Pongal
Harvest festival of southern India has begun
Golda Solomon@2005 www.jazzjaunts.com gs@goldajazz.com
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In Praise of a Young Black Woman From the Midwest
De Avery De Catur
De midwest comes East
De law teaches – preaches
Columbia, gem of the Ocean
Sweet bites into this soured apple of a city
Genealogy of her family
Travels along for de ride
In Illinois, a black skein in white sheep’s territory
Here her ancestral hair in knitted knots
Knowledge dreds fly off in different directions
Familiar faces live in this metropolis of underground rails
She learns the rites of rights
De fender of the children
She knits and purls
Wool the color of blood
textured in slavery
She is her grandma’s child
Clacking away on crossed needles
Neat rows of advocacy
Stitched truths in a shawl for her mother
Patterns the tapestry of generations
Quiet revolutionary
This De Avery
Golda Solomon@2005 www.jazzjaunts.com gs@goldajazz.com
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First Mention: Isiah 34:14
His hands stuttered those first times he touched her
he and she made from the same dirt. Explored
gently blew away dust
particles from innocent places
Coupling he moaned her name
Lilith my wife, Lilith my wife
… and God looked down and was pleased
No vocabulary of discontent
Glances. Shared shyness
Learning the Garden God had given them
His fingers combed her long shiny tresses
her majestic wings spread, holding him to her
She sang the beginnings of her voice
She wanting to mount him
he insisting she remain beneath
… and God looked down and disapproved
and God looked down and disapproved
She spoke strongly to him
They were of the same dust. She was his
equal. Beneath me always he said
their Garden soiled with harshness
where they once lay content
discord. She flew away
… and God looked down and was angry
and God looked down and was angry
Pride. Dry hacking rage. She could not relent
She’d rather lay and procreate with Fallen Angels
kill her own newborns
She would forever be a She Demon
God issued her fate
her siren song
her forgotten name
never to be mentioned “In The Beginning …”
… and God looked away from her
and God looked away from her
Golda Solomon@2004 www.jazzjaunts.com gs@goldajazz.com
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Harlem (1965)
West to East
Bowlegged mothers, sisters, aunties
Fallen arches, tired, blessed sleep
Only to begin again and again
Nurses and aids, scuffed white shoes
Outline of bunions and corns
Worn down heels, negotiating shifts
Big sisters pulling little sisters by the hand
Tugging at tight braids, pulling up socks
Knees buffed shiny with Jergens
Dispassionate parochial plaids of pleated skirts
“Don’t you make me late again for school”
Brothers trying to keep up
Clip-on ties, brigade of navy kites flying up Lenox Ave
Against a sky of light blue shirts
Oversized jackets and long pants
Get two years of wear if you fold the cuffs under
Bits of white fluff clinging to future afros
Book bags slappin’ street rhythms against gabardine
Old men, stoop sitting bookends
Milky grey rimmed eyes and alcoholic egos
Early morning pints in communal brown bags
A lost sister joining them, legs splayed
“Hey, gimme a taste man”
Scent of southern politeness
Rancid garbage
Underfed dogs poking into overturned cans
Bunches of fresh mustard, turnip and
Collard greens sold daily from the backs of
Trucks and station wagons “Fresh fish here”
“Those whitey owned markets show us no respect”
Wilted heads of lettuce dreams, days old passing for produce
Middle class high rise condos and coops
Butting against projects and boarded up buildings
Intricate brass doorknobs, remains of another era
Harlem Hospital, Lenox Terrace
History of a people on shelves at a collection called Schomberg
Get clean or high at the “Y”
Glassine packets of white powder
Folded green backs slipped palm to palm
Suited men hawking Muhammed Speaks and bean pies
Belly’s full of jazz, chicken and waffles from Wells
Minton’s open
Showman’s open
Gold Brick open
22 West where high collared preachers conversate
about the ‘man’, sports, latest politician on the take
“Hey girl, this slice of watermelon must be for one
of those puny pale guys downtown”
116th St. crosstown bus
Changing voices of puberty ranting “the dozens”
“Hey faggot” “Your mama didn’t think so last night”
Baptist Church mediates the 5th Avenue divide
Museos Del Barrio, a storefront on Third
Smells of La Marqueta
Bodega beginnings
Park Ave uptown is cheap chic
Clothing hung from high racks
Un-easy truce with the Po-leese
Knight sticks dangling off blue uniformed hips
Cars whizzing down the drive protected by an avenue named Pleasant
Highways and projects named after dead white presidents and generals
Patsy’s on First, pizza and old world dining
Kisses on both cheeks, jowls held by pinky ringed men
No Blacks
No Puerto Ricans
No longer safe
“Hey, ja hear, Frank was in the neighborhood”
Sinatra sighting at the Ded-lightful Coffee Shop
Golda Solomon@2003 www.jazzjaunts.com gs@goldajazz.com
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Celebration of Sisters in Jazz
I saw Dottie Dodgion play drums
Diminutive Blond haired Big smile
Taking charge Taking charge
Legs splayed apart
A woman on men’s turf
A woman on a man’s instrument
Ladies don’t sit that way
Drummers do.
I should have remembered every detail
Shards of memory Reflections in my mind’s mirror
The impact it would have on me
The catskills or the Halfnote
I saw her I saw her
I heard her I heard her
My beginnings of celebrating women in jazz
Women were teachers, not drummers
Women were nurses – not horn players
Women were mothers – no axes, just kitchen knives
Women were piano teachers
Like my Rose Ludivico
I walked up 2 steep flights
A brownstone in Little Italy
Red gravy smells hitting my nostrils, garlic and Bach
Fiercely independent at 10
Saddle shoes scuffing on concrete steps
My feminism began
My rounded fingers on 88 keys
Now I rattle off names
My sisters in the rhythms of my jazz life
Their names a mantra for young girls
A Who’s Who of you can do it
Play their names as I salute them
Play their names Play their names
Cindy Blackman Virginia Mayhew Judi Silvano
Sylvia Cuenca Allison Miller Tessa Souter
Alberta Hunter Cobi Narita Carol Sudhalter
Susie Ibarra Lisa Parrott Maxine Sullivan
Ingrid Jensen Nikki Parrott Miriam Sullivan
Etta Jones Barbara Sfraga Kendra Shank
Sheila Jordan Abbey Lincoln
Golda Solomon@2001 www.jazzjaunts.com gs@goldajazz.com
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Golda’s In The House: A Baltimore Oriole tiptoed thru the tulips
The first time I heard Sheila Jordan’s voice
Some gay club in the Village
or was Tuesday night gay night
Tiny Tim, his curls, his ukulele
Sheila easing her instrument
Up over and under and onto perfect notes
Gigs haven’t changed much
It’s still about dues paying and “the man”
Smoke-filled clubs
Vodka on the rocks
2 drops of vermouth only please
What’s a nice girl like you doing in this neighborhood
Hey, if anyone gets in your cab
And wants to hear New York jazz,
Bring them here to the Bowery
Or to Hudson near Spring
The Half Note
Then to Wells Uptown
Fried chicken and waffles
Scotch with milk
Sure it’s safe
That cavernous Village Gate
Monday was always Latin Nite
But it was the Five Spot
The Five Spot
My weeknite hang
My routine
An after work nap
Dressed and out by midnight
Ratners on 2nd Avenue at 4 a.m.
Work the next A.M. at 8
That last night on the Bowery
The move to St. Mark’s Place
Bobby Timmons “dat dared” on the keyboard
Chessboard set up and ready Mal Waldron, checkmate
Musicians, Knights holding court at their round table
Narrow slice of light across the worn floor when
the bathroom door opened and closed
Listenin’ to Sir Hanna rattle those ivory’s with Bach riffs
The aroma of Chan’s rice
Farewell cake for Eric Dolphy
“Later” inscribed in chocolate buttercream script
Mingus’ bass plunking commands
-2-
Weekends were for tourists only then
Maybe I’d grab the end of the last set on a
lonely Friday or Saturday
I crocheted a floor length cobalt blue skirt
Listening to Chico Hamilton and Charles Lloyd
Those two notes from Forest Flower still echo
High and true
Cal Newborn’s sweet guitar
Sundays walkin’ around the Jazz Gallery with Roland
Before he was Rasaan
He knew my laugh
Golda’s in the house
Who knew we were witness to a history
We were just out listenin’
Finger poppin’ to the sounds we needed like a fix
The Poet Laureate Billy Collins remembers the taste
and price of beer at the Five Spot.
I remember Joe and Iggy Termini
The notes the cash register played
And that little dance Monk did.
Golda Solomon @ 2001 www.jazzjaunts.com. gs@goldajazz.com
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INTERVIEW with Chris Phinney
ZZAJ: Are you (still) primarily into “self-production”? Are you more digital now, or less than you were just before 2000?
Chris Phinney: Yes 95% of the releases available on the Harsh Reality Music label are self produced. The collaboration projects are either produced by me or the collaborative partner & a lot of times we both produce parts of the music. The releases that I put out on occasion from other artists are produced by them though I usually do the cover art. The re-releases of old cassettes from the label by other artists to cdr of course the music was produced by the artist, but I do the transfer/master to cdr.
Yes, more digital now in regards to the software I use on some recordings,the mastering, the VSTI’s I use & of course the releases are on compact disc these days versus the vinyl & cassettes of the old days.
ZZAJ: Your music has great high energy; after all these years, how do you maintain such levels of energy?
Chris Phinney: Having 4 kids I have no time to be lazy, it helps keep the momentum going. I feel that one must put their all into their music if they are creating.I feel like I have to use all types of media, gear, software etc when its offered otherwise the music becomes stale & complacent. Besides trying new things is the spice of life.
ZZAJ: Has the explosion of digital artists increased the “competition” for your music on the Internet; has it changed your “influences” at all, or did your influences stay pretty much the same?
Chris Phinney: Yes & no, the explosion has increased the competition to get your mp3s heard on the internet to some extent. But the musics being heard current stats from HarshRealityMusic.com reflect this (266,568 mp3s streamed & or downloaded from January 04 to Sept 4th 05 & 41,811 mp3s streamed or downloaded from www.tapegerm.com since we switched to php & had to rebuild the database about 8 months ago or so).To me though mp3s are more of a demo,a tool anyways though some will argue this point.The quality is just not the same as a wav file or a cd that contains mastered audio files.I try not to be influenced by what I listen to of the digital artist explosion.I will say though that my fellow artists at Tapegerm do provide influences for me,as well as collaborative partners do in those recordings influence me.Other than that my influences have stayed pretty much the same.
ZZAJ: I (personally) have a preference for “original” tunes. How do you feel about that… is “original” better, or does it really matter?
Chris Phinney: Well I prefer original tunes as well (personally) I really don’t want to hear covers of other peoples tunes unless maybe its a tribute album or something like that & then I prefer an original (twist) on a cover tune over a straight ahead sound alike cover tune.I do think it matters but to what extent I am not sure.
ZZAJ: We talked (quite a bit) in the old days about promotion & distribution; have OMD”s (Online Music Distributors) like MIXPOSURE, helped you in your distro efforts, or is it about the same as it was way back when? How much time do you have to devote to OMD sites, as opposed to your earlier days?
Chris Phinney: I think all the OMD’s helped with exposure & in reaching a wider audience yes,outside the old days of the hometaper networking.From 98 until a liitle past mid 2003 I had music on just about every OMD site out there.those still out there & those that have dissapeared,networked like mad as well.A little past mid 2003 though I realized I had no time for that anymore & deleted everything I had out there,continued putting up some tunes at tapegerm & in January 04 bought Harsh Reality Music.com (http://www.harshrealitymusic.com/) & decided that my online music efforts would be only at Harsh Reality Music.com & Tapegerm.com (http://www.tapegerm.com/) & the occasional networking friends sites or labels.
ZZAJ: Do you get any “direct” feedback from listeners via your website?
Chris Phinney: Yes I get some direct feedback from both Harsh Reality Music & Tapegerm.
ZZAJ: Is there such a thing as “too much music”? Does this explosion of “home artists” interfere (at all) with your own efforts to make a living from music? Or, DO you “do it for a living”?
Chris Phinney: No I don’t think so, sometimes though you have to wade through a lot of stuff you are not really into in order to find what you really like.
No as I don’t create music for a living, but for my enjoyment & if someone happens to like it thats great,& if someone happens to not like it that’s fine as well.
ZZAJ: Does the MUSIC take up more of your time now, or do you wind up spending (much) more time now on Internet sites, chatting with users & such?
Chris Phinney: Yes the creation of music takes up more of my time now, when I am not doing the family things & work things that I enjoy doing. There is just not enough time to create music the way I want to & talk with users on a lot of sites & messageboards.
ZZAJ: I’ve little doubt that with the heavy emphasis on “war” as a “business” today, the healing power(s) of music are viewed (by many) as a “loss leader”; how can we get back to a situation where the politicians are on the “back burner”, where they belong, instead of “in the news” all the time? In other words, what can we (as musicians) do to help improve the world?
Chris Phinney: We could stop creating music altogether, that would surely put the politicians on the back burner where they belong & bring the healing powers of music back up to the forefront. Then once accomplished we could start creating the music again & that would keep the music & its healing powers & messages back on the forefront for quite some time I think.
ZZAJ: Please pass on any “words of wisdom” you have for aspiring artists in today’s world? What can they do to make their music better, both “technically” & aesthetically?
Chris Phinney: Artists should use all forms of promotion, internet, OMD’s, etc should be used by all artists with access in order to reach a larger audience, but artists should not just rely on the internet, they should send their music out to college & community radio stations, take a chance on sending their music to commercial radio stations as well. Send it to as many magazines as they can underground & commercial,& to newspapers etc. maybe even advertise in these magazines if they can afford to & be sure & make the CDs a release, a nice product both musically & artistically, a good package not just a demo. Print up flyers & pass them around, put them out there & stickers as well. Hit up distributors of music with product.. Don’t be afraid of bad reviews & of not getting a review, or answers of no your music is not what we are looking for. Try all mediums & methods that are available. Release the music in as many formats as possible, that consumers use today. Some European countries still want cassettes & vinyl. There are also some radio shows out there that have their shows broadcast on shortwave radio as well, this touches people who don’t have all the radio stations, TV, internet, etc. Always try to release a good product all way around & promote to as many places as as ones budget allows.. Most of all though keep on making the muse...
An ANNOUNCEMENT about IMPROVIJAZZATION NATION!!! I’ve been tagged as a replacement for someone (over) in Iraq… I’ll be leaving (sometime) in late December or early January!!! For that reason – please SUSPEND ALL SUBMISSIONS to us… but, DO NOT “write us off”!!! I’ll be back sometime early summer 2006, & will notify all of you when we’re able to take your submissions again! Please SPREAD THE WORD to folks you know who send us review material, too… I will NOT BE REVIEWING material until after I get back in summer, 2006!!!!
Well, it’s finally arrived – my “time in the sand”. Unless something (really) drastic steps in & changes my timelines, I’ll be leaving for Iraq in the very near future. I’m not “complaining” about the trip, though (of course) I’d rather just stay here & continue to review music & enjoy my twilite years.
There are “positive” aspects to such a trip, though (believe it or not)… I’ve always been of the opinion that there is no better place to discern (just) how big “the lie” is than on-ground… I should be able to come back (assuming I do) & let you all know from first-hand experience how much the politicians (on both sides of the fence) have distorted the truth… it’s a foregone conclusion, in my mind, that things are “different” than we’ve been led to believe – always is!
I’m hoping that I’ll be able to meet a few of the local folks, though that will be far more limited than my usual excursions round & about th’ globe… I’m all for discussion & interchange of ideas… but not if it involves grenades & mortars. I do know (from personal experience) that many of the folks who’ve been over there have come back with horrific mementos of their time over there… one of my contractor pals had a grenade/bomb rip him from stem to sternum, if you will. So, I’ll err on the side of caution, to be sure.
I doubt that I’ll be able to publish from over there, as there are (very legitimate) severe restrictions on what can be accessed/pushed to the web from inside “the zone”.
Please do keep me in your thoughts/prayers… nothing would make me feel better than to arrive safe/sound & ready to report reality to/for you! In the meantime, all issues of our ‘zine will remain available for you to peruse… please tell others about our ‘zine… I have every intention of running this ‘zine up to my (personal) goal of 100 issues… at that time, I’ll probably bow out of the scene & let some younger enthusiast for high-energy music continue the tradition… but, obviously, I’ve got to make it through these 4 or 5 months in order to accomplish that goal!
See you next summer…,
Rotcod Zzaj
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