Improvijazzation Nation, issue # 50

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Issue # 50 REVIEWS:


Cesium:137 – THE FALL:  Liners say this group name is 100% pure poison.  Psychedelic.  Ho-hum mix band is more like it.  Yeah, the mixes are done well.. but SIX of thee same zong right inna’ row?  Bit much, methinks.  Itz’ beatful!  Itz’ GOT rhythm!  Itz’ very danceable!  So, wotz’ thee PROB-lem, yer’ say?  The SAME song…. THE SAME song… THE SAME SONG!  Can’t deal with that amount of th’ same SONG!  Mix some MORE mixes in there next time, but make it 6 (or more) DIFFERENT songs!  Sorry, Charlies… it’s not a full “thumbs down”, but I can’t hang wit’ all the same mix, either!  Contact at Tonedeaf Records, POB 1738, Philadelphia, PA 19105-1738 or on the site at   Rotcod Zzaj

Mars Lasar – KARMA:  Deep, moving and intriguing.  These are the words that come to mind on the first few bars of “Great Beast of Wisdom”, the first cut on this cosmically significant album.  Lasar weaves clearly distinguishable movement in to the music(s) of the world (many different styles are represented here) with layered vocals that enchant and attract.  Rhythm and high energy (without the hype) make for an extremely pleasant listen all the way through the album.  I’m sure many will classify this as “ambient”, but (though it has some characteristics along those lines) it is much more far reaching!  The listening is (much) like a “heavy” book… your ears won’t be able to turn it off.  Though this is our first listen to this artist, we are surely looking forward to more releases… it’s good enough to rate a MOST HIGHLY RECOMMENDED, & that is SAYING something for a “first spin”.  Contact through Creative Service Company, 4360 Emerald Dr., Colorado Springs, CO 80918… also via e-mail to    Rotcod Zzaj

Harrison Edwards – PARALLEL PATH:  There is some very energetic and powerful acoustic guitar work on this splendid CD.  Some strong orchestral influences are also present.  This is Harrison’s first album, but as the liners reflect, it has been “years in the making” (we hope to hear much more from this artist).  You can hear that from the opening bars… slow (but confident) build to crescendo, very solid compositions that will easily stand the tests of time.  The recording is flawless, with a beautiful weave between the acoustic lines and the strings.  Edwards has also (very successfully) integrated strong bass and percussives, which make for a far more interesting listen than much of the “new age” ambient stuff floating around these days.  A cup of wine, some cheese & a powerful stereo system playing music like this might change your life for the better!  This will not “turn your crank” if you’re looking for improvised “out” music… but for those who want some sweet listening, it is excellent music that rates a HIGHLY RECOMMENDED from this reviewer.  For more information/purchase, visit   Rotcod Zzaj

Global Collective – RED SANDS DREAMING:  Think Australia, somewhere in (what you imagine as) “the Outback”.  Don’t expect ME to be able to write word pictures of thee turf there for you… as it’s one of the few areas I’ve not been to in the world… but if you want to get a much more accurate (sonic) impression of what it must be like there, you will want to listen over & over again to this unique and tasteful blending of aboriginal singers/rhythm makers & masterful wizards of the electronica genre!  Ian Faith’s vision makes this (just) th’ kind of music th’ (witch) doctor ordered!  While I say that (a bit) tongue-in-cheek, I’m more serious than not about it… this is the kind of timeless/ageless experience that the language of music is based upon.  A TRUE  “keeper”, this CD will spin again & again in th’ Zzaj household!  Some spots come awfully close to sounding like ’70’s Bowie (mebbe’ he was a fellow-traveler down there with Mel Gibson?), but ALL people(s) everywhere can find something magick in this music.  Comes MOST HIGHLY RECOMMENDED by this reviewer!  Go to to learn more about (& purchase) this album!  Right NOW, volkz!   Rotcod Zzaj

Ray – ETHEREAL JOURNEY:  Ray Leonard is the source of this inspirational ambient musical journey.  Very pleasant “floating” music that will quickly carry you into orbit & in to the nether regions of outer space that he intended you to reach.  Lots of string sounds, eerie synths & bells  for your ears to explore.  Some of the patterns are instantly recognizable, others distinctly Mr. Leoanard’s.  This is his first album; it gets high marks for production & “listenability”, I’d say.  You shouldn’t expect to be transported in any “high boost” manner… his is a “slow build” to apogee, & well worth the wait… you will feel good after taking the journey he created for you.  Well worth listening to, I give this a HIGHLY RECOMMENDED!  You can get more information at or mail order it via email to   Rotcod Zzaj

Rent Romus – PKD VORTEX PROJECT:  It’s an interesting concept, especially for (rabid?) science fiction fans… not just “any old” improv, but improv that uses PKD (Phillip K. Dick) as it’s source of inspiration.  Any fans of improvised music(s) who have read some of Dick’s masterful works will realize right away that the musician has to be (not only) a skillful improvisor, but at a sorta’ (mentally) “universal” level in order to pull this off.  Well, Romus & crew (Doug Carroll on electric cello, Joel Harrison on electric guitar, Dave Mihaly on drums/percz & Tom Nunn on electro-acoustic inventions) are clearly at levels that are further out than most of us (as players).  “On the edge”, if you will!  There were one or two (very brief) moments when the melody line slipped in to a childhood nursery rhyme, but that was only (maybe) one tenth of a percent of the entire album… the rest of the compositions are clearly original cosmic visions of the vortex inspired by PKD.  Rent’s reeds (alto/soprano sax) have a bold (almost guttural) quality about them that lures you into the depths.  Some of the best improvisation I’ve heard this year… merits our MOST HIGHLY RECOMMENDED – in fact, it gets the “PICK” of this issue for “best conceptual improv experience of 2001”.  Contact at Edgetone, c/o Gert Rude Music, POB 2281, El Cerrito, CA 94530, on the website at or via email to   Rotcod Zzaj

Joan Huntsberry (& friends) – UNDER THE JEWELBERRY TREE:  What a refreshing pace change… children’s music on this CD.  The CD wasn’t very clear on playing credits (or the print was too small for me to find it), but Joan has pulled together a group of highly talented players who are equally comfortable in a variety of styles (all the way from Jamaican to rawk-a-billy to jazz)!  The real deal is that she is able to use her high energies & clear vocal talent to convey a (VERY) strong sense of what music is really supposed to be about – FUN  (the cut “Bugs” is a GREAT example of that)!!!  The liners advertise this as “music for the family”, & there’s no doubt that’s true.  Is it an album that will make it way to the “top” of the Billboard charts?  Probably not – but it SHOULD!  Is it music that “breaks new ground”?  Not in any traditional sense (meaning that the B-I-G companies probably won’t “promote” it far & wide), but it is exactly what the criteria for “new ground” should be.  For music lovers everywhere, this is MOST HIGHLY RECOMMENDED by this reviewer (especially to teach kids what music CAN be)!  I’d love to see/hear her pair up with my musical therapist friend (in Olympia, Washington), John Alkins.  Visit to get more information, or email her at   Rotcod Zzaj

Jugalbandi – YELLOW STAR MAILING LIST:  Describing the music on this CD as “rock/jazz fusion” doesn’t exactly come across during the first sections on track 1… sounds more (at first) like a dirge affair, based on a military-sounding march… but listening on through the entire CD (something that’s important) will make you realize that this is a well planned (& well executed) build of energies!  Greg Segal’s heavily layered guitar work (check his INTERVIEW at Bret Hart’s GUITARTISTS pages) transports you into unexplored sonic terrains, & Hyam Sosnow’s drums/percz are the driving force for navigation thereof.  It would be EXTREMELY interesting to hear Segal/Sosnow pair up with the Detroit Improv Duo, since th’ orientation is so heavy on “immediate” music (improv, for the unitiated).  There are many stretches on the album that make me wonder if Greg hasn’t (at some point) consorted with my old guitarmeister friend Eric Hausmann.  I’m highly impressed & we will look forward to many more sonic adventures from “Jugalbandi”.  For fans of totally original & adventurous music everywhere, this gets a MOST HIGHLY RECOMMENDED!  Contact at Phantom Airship Records, POB 82525, Portland, OR 97282-0525, on the Jugalbandi site, or via email to  Rotcod Zzaj

Bret Hart/Don Campau – DUETS, volume 2:  Well, you put underground masters together, & you can’t expect anything less than guitar pandemonium!  This CD has music(s) far different from anything I’ve ever heard Don doing (& I’ve reviewed a LOT of his works, as well as Bret’s).  The word that comes to mind (even on my favorite trak, “lot”) is thick… don’t know (for sure) why, but I had a flashback to some STP I once took.  This music is different from anything you’ve ever heard Hart do before, too… both of these (almost legendary) figures in the home music community are exploring here, & as regular readers here know, there is nothing more enchanting to my (twisted) ears than music that stretches them!  There is some “over-hum”, so don’t look for a “glossy” album.  All in all, though, the adventuresome listener will find (sonic) waves they can surf all th’ way to Hawaii (& back) on… gets a HIGHLY RECOMMENDED!  Contact through the WWW pages at (where you can purchase the CD with your credit card) or at InstrumenTales Records, 609 Morehead St., Eden, NC 27288, USA   Rotcod Zzaj

Expedite Music – EM:  Jim Konen has been rippin’ up hiz’ studio lately… as I understand it, this CD just sorta’ “flowed” out of his fingers in an afternoon (or two).  Since I’ve played with him (in the “Detroit Improv Duo” sessions), I have a really strong sense of the circles (directions) he tends to move in – but (as with any good music), he surprised me.  Many new rhythms here, a much more “live” sound on the drums/percz… more to the point, though, this comes across as v-e-r-y relaxed in playing style.  Jim has a special talent for combining musical elements that other players never hear… downtown Mo-Town jungle/techno/robotikz with high-end guitar stylings that (while familiar sounding) are uniquely his own!  “EM” will allow you to escape the terror(s) of our times… without losing the energy needed to keep you MOVING!  In my mind, this is (also) a new direction for improvised work, too… more electronic than some might prefer, but something you’ll find it E-Z to get yer’ earz’ USED TO!  Gets a MOST HIGHLY RECOMMENDED for all listeners who enjoy accessible improvised guitar fun!  Contact him via email at   Rotcod Zzaj

Kakalla – THE VOICE OF BLOOD:  There is some wonderful integration of improvised jazz & (just like “Ripley”, believe it or not), Balkan music(s).  Thomson Kneeland sent it our way, & are we happy he did!  Kneeland’s bass is prominent (as it should be), but all of the quintet (Mike Connors, drums, percussion; Jerry Sabatini, trumpet; Eric Hofbauer, guitar; & Jason Hunter; tenor sax) are given their opportunity to shine!  Some albums I’ve heard that try to incorporate the musics of other cultures in to jazz tend to “try too hard” to make it sound like the other country/region… none of that here… it’s strong/solid original jazz composition that has the “flavor” of other influences.  The thing that comes through in every cut is the joy in life & th’ living of it… takes (far) more than just talent to accomplish that – the players have got to feel the directions the music(s) are taking them in.  I’ll tell ya’, volkz’, this is some ALIVE jazz… gets our MOST HIGHLY RECOMMENDED & the PICK of this issue for “best improvised jazz”!  Contact at Weltschmerz Records, (Thomson Kneeland), POB 443, Upton, MA 01568, on their site at  or via email to  Rotcod Zzaj

Dr. Craig White and Anthony Miles –  MOTHER & BABY:  Dr. White wrote the booklet that comes with this CD…. Mr. Miles performed the music.  Two 30 minute tracks of relaxing & soothing music… we should drill holes in the head of every terrorist in the world (particularly those about 3 years old) & force-feed them the full 60 minutes.  Those who were older would probably come out of the experience with (more) love in their hearts, or totally insane.  Though my commentary may sound (perhaps) a bit harsh, I do believe that if children had the benefit of music like this, there would be much less hatred in the world.  From this reviewers standpoint, the compositions are a bit stereotypical, but there’s no doubt Anthony had a clear vision of how to (sonically) paint beautiful and comforting vistas.  I give it a RECOMMENDED.  Contact at Musik International, 154 Botasso Rd., Boulder, CO 80302 (e-mail is    ) Rotcod Zzaj

Matt Turner/John Harmon – OUTSIDE IN:  As (many of) you may know, I’ve listened to Matt’s beautiful cello playing for many years now… as (my) grandma would say – “My, how he’s grown!”  There is more body & depth in this cello than I’ve ever heard before.  John’s keyboards are fluid, serving as solid/strong foundations for some of the sweetest improvisation your ears will ever hear; though the compositions are not “scorchers”, rhythmically, you can feel vibrant energy shining like light!  They compliment each other supremely, and it’s clear they’re communicating (like the best players always do) on levels that most humans only ever get a glimpse of in a lifetime.  Many cello/piano combinations tend to get “bogged down” on similar albums – not HERE; joy comes bubbling across to the listener… but without the perils of “sweet/smooth” jazz (even though many of the tunes are standards-based).  The recording is as clear as a virgin ocean.  This album gets our MOST HIGHLY RECOMMENDED rating for jazz aficionados the world over!  Contact through Braithwaite & Katz via email to or on the site!   Rotcod Zzaj

Donna Lee Saxophone Quartet – DONNA LEE SAXOPHONE DEMO DISC:  Zdenko Ivanusic (who plays alto & soprano in Croatia) sent this demo CD after some email exchanges.  These four have learned their lessons well… & haven’t suffered any “loss of style” in the process.  My favorite track on the demo was Wayne Shorter’s “Footprints”… the full body of the quartet formation can be heard, in a loose framework that lets you hear their range clearly!  They come across with a “big band” sound on a lot of the cuts, something you’d probably kinda’ expect from an all-reed group.  Though I’m not a big fan of “all-reed” groups, exceptionally high energy is displayed through & through – the group gets a HIGHLY RECOMMENDED rating for all who love well played jazz!  Contact on the site at or via email to     Rotcod Zzaj

Ellis Dee – PARENTAL ADVISORY:  Pseudonymic to thee n’th degree, this album is actually performed by a nameless super-drummer from th’ great Northwest who ain’t rich & has no acquaintance with my long-time friend norman…. ‘course, even with th’ subtrefuge, there’s no doubt after listening to some of th’ insanities on here that good Baptists everywhere will go on a witch hunt (even if it takes 10 centuries) to pry loose th’ identity & HANG this porker in th’ public square (even if only in effigy).  With titles like “Basket Full of Shit”, “Poison The Well” & “Drugs Are Good”, you’ll soon hear why.   Yeah, that rich guy plays some ODD rhythms against some various stylings… all th’ way from hoochie-coochie blooz-rawkin’ (on “BFoS”) down to ska-jazz (slightly bent variety on “Revolution”), you’ll find yer’self bein’ enCHANTed… this Ellis character has been known to exert a LOT of influence on the Y.O.A. (Youth of Amurrika) – you know, colorless, odorless, tasteless & all that!  Stretches on here that truly remind one of Thomas Dolby… s-t-r-e-t-c-h-e-d out & vibrant energies, wit’ a TWIST; even shades of Zappa in there at times!  Strange azzit’ may seem to Mr. Dee, this gets a HIGHLY RECOMMENDED, ‘cept for Baptists in kru-sade mode!  Contact at Plain Brown Wrapper Music, 25 NW 23rd Place, Suite 6, Portaland, OR 97210-5999 or email to   Rotcod Zzaj

Jim Wilson – CAPE OF GOOD HOPE:  Another divergent turn in styles… this is high-end & slick music that you’ll soon hear on PBS specials across the land!  Beautiful compositions that feature Wilson’s wonderful keyboards.  He’s “up there” with some “stars”… the album features guest players like David Sanborn, Stephen Bishop & Dan Fogelberg… pretty impressive.  This is not for those readers who are looking for “out” improv… it is, however, solid composition and very, VERY relaxing.  For lovers of inspirational music around the world, this is MOST HIGHLY RECOMMENDED.  Track 5, Discovery, is my favorite cut, simple but powerful!  Contact through Creative Service Company, 4360 Emerald Dr., Colorado Springs, CO 80918… also via e-mail to   Rotcod Zzaj

E Z Pour Spout – DON’T SHAVE THE FEELING:  This CD is GREAT!!!  Combine elements of phunk&phusion, jazz it up a lil’, & pretend yer’ onna’ Frank Zappa majick karpet ride!  Solid recording & even firmer playing mark a turning point for rock-based Avant jazz… this stuff don’t even SMELL FUNNY… & it definitely is NOT dead!  Heavy KICK-AZZ bass lines from J.A. Granelli are (literally) BLOWIN’ th’ press kit sheets all around th’ desktop… high energy that just won’t QUIT!  Track 8, “Politician”, is my favorite track, jus’ TEARZ’ th’ ROOF off!  Curtis Hasselbring’s trombone is right UP there at th’ top, but all th’ players are contributors to th’ mayhem.  You can’t exactly label it anything, this group has it’s own original sound, & it’s gonna’ take OVER th’ land!  If it impresses you even half as much as it did me, you’ll agree that it’s MOST HIGHLY RECOMMENDED listening!  H-O-T property!  Contact through Braithwaite & Katz via email to or on the site!   Rotcod Zzaj

Satoko Fujii Trio – JUNCTION:  ’tis up to th’ listener to figure out what points are intersecting & which are dis-jointed… BUT, improv fans everywhere will find this one of the most highly energetic (& enjoyable) improv trios (anywhere) on the planet today!  Our ears are not strangers to Fujii’s expert keyboard work, & Jim Black (drums, pianica) and Mark Dresser (bass) only add to the excitement!  Satoko’s husband Natsuki Tamura joins in with Melodica on track 4 (Ninepin) – & it’s a SCORCHER!  In fact, this whole album is LAVA-HOT throughout!  It’s not th’ kind of “hot” that signifies “insanity” (though there are moments that approach it…), but it is very improvised.  “Maturely free” is the way I’d describe Satoko’s piano on this outing… this is definitely NOT “pseudo-improv”, but there is also a sense of freedom conveyed through her majickal hands that is rarely heard these days.  Merits a MOST HIGHLY RECOMMENDED for fans of well-crafted & played improvised music everywhere.  Simply a WONDERFUL album that will spin frequently in your player.  Contact Ewe Records, 3-4-7, #301, Minami Aoyamu, Minato-ku, Tokyo, Japan 107-0062, via email to or on their site at    Rotcod Zzaj

Horrendous/Hart – DUETS, VOLUME ONE:  As many who read this ‘zine know, Bret has been on quite a CD “crusade” over the last year or two… good for our EARS, I’ll tell ya’!  This latest venture with Ben Horrendous features (some of) the best recording quality I’ve (ever) heard on InstrumenTales releases.  Horrendous plays bass (furnished all the original tracks) & Hart performs on numerous strings & percussives.  As always, “new” improvised string-work(s) impress your ears, sometimes soothing, often outrageous & ALWAYS fun!  This is not garden-variety stringbean stuph, it is HIGH quality work!  Bret has been one of my favorites for many years now, & this is one of the most relaxed playings I’ve (ever) heard him do!  I believe that’s helped on a great deal by the expert talent & pacing that Horrendous lays down for him, but it’s clear that these two “struck a chord” together.  Lots of intricate little moments, but no “little” playing!  This clearly merits a MOST HIGHLY RECOMMENDED for all into new sonic terrain!  Contact at 609 Moreland, Eden, NC 27288 or via email to    Rotcod Zzaj

The Left Coast Improv Group – JIMZEEN:  W-O-W!!!  This really IS “improv month”.  My playing partner Ernesto Diaz-Infante is a part of this quintet, but reedist Jim Ryan sent the CD in for review.  SUPER tension//release stuff, all pure improv with very intricate stylings.  Shoko Hikage’s koto (orb-viously) gives the montage strong oriental flavors, but as (most) improv listeners know, this meshes well with the fluid nature of string-driven interplay.  There is a level of energy here that is seldom found in music of this nature… the recording makes it feel like you’re right THERE – and that is difficult to do – of course, that has to come from the significant talent in this grouping, too.  Plan on listening through the whole album (headphones recommended), without interruptions… if you do that, you will find yourself coming back to this one often!  This is a keeper… gets a HIGHLY RECOMMENDED from us!  Contact Jim Ryan, c/o Jimzeen, 550 24th St., Apt 1014, Oakland, CA 94612 or via email to    Rotcod Zzaj

Guinea Pig – OUT OF TOWN:  Described as “raw alternative jazz CD breathing new life into an aging jazz ethic”, this is one shining star of an improv album.  Names you’ll recognize (if you listen to even a little improv) like Rent Romus (alto & soprano, piccolo & voice) and Doug Carroll (electric cello)… also features Drew Gardner (drums) & Tony Passarell (soprano/tenor & pocket trumpet).  Some “standard sounds” that are truly twisted as part of the “new life” thing, I suspect.  It’s a live recording that’s produced in fine fashion!  This Rent guy is a character & he’s one helluva reed player!  I enjoyed the opener, “Dark Highway” the most out of the 5 cuts (all except 2 cuts are over 10 minutes), as the strongest rhythmic feel, as well as the beautiful melding of instruments!  If you haven’t listened to any Edgetone releases yet – you OUGHT to start here!  Gets our MOST HIGHLY RECOMMENDED rating!  Contact at at POB 2281, El Cerrito, CA 94530, or via email to

Mama Sissoko – SOLEIL DE MINUIT:  Mandingo-based music on this joyful CD in from Musik International and Tinder Records!  Sissoko if from Mali & plays some wonderful guitar.  High-spirits and unbounded energy… when combined with his deep-throated vocals, it will make your feet (and your heart) dance!  When he was (very) much younger, he played percussion in an ensemble his father had, & that comes through clearly in both his guitar and vocal work… rhythmic excitement through & through.  The tunes are from many different cultural roots, but Mama makes it recognizable as music that anyone could quickly fall in love with.  I’m very favorably impressed & we will look forward to other albums from this strong talent.  Gets a HIGHLY RECOMMENDED for listeners who want something a little different!  Contact at Tinder Records, 4380 Redwood Hwy, Suite B-10, San Rafael, CA 94903, on their WWW pages at or via email to   Rotcod Zzaj

Ted Killian – FLUX AETERNA:  I got this in from a couple of places… mainly, my playing pal Mark Kissinger sent a copy of it to me (reporting that it had also been sent to Bret Hart for review)… I can HEAR why the perpetrators sent it to Mark… heavy, HEAV-EE guitar work from Ted, in some fashion similar to works I’ve heard Kissinger do before.  The guitars simply S-O-A-R, reaching heights you couldn’t find on the BEST trip you’ve ever taken.  Take a hit of THIS, tho’, it’s much more edifying.  There was (very) little in the way of explana on the jacket, should be more info to let the listener know what’s going on… that’s only a minor krit, tho’, the music makes UP for anything lost from that.  You will hear elements of Beck (as in Jeff), even Hendrix in there, but it is CLEARLY a style all Ted’s own – a style reminiscent of the furthest reaches of our galaxy… LIGHT YEARS ahead of it’s time!  Highly adventurous musics that come (without question) MOST HIGHLY RECOMMENDED by this reviewer.  Contact at    Rotcod Zzaj

Ray’s Music Exchange – TURANGA:  Bump’n funk that takes me back to Yo-high-yo Players & such.  Lotza’ HORNZ’ in here, & some fine blues organ.  I can even hear some strains o’ AWB (Average White Band) in there.  No matter who you compare it to, it’s not hard to tell that it’s that good ol’ “R.M.E.” sound!  There is a real variety of style on this album… not just “smooth jazz”, or “rotten rawkin'”; there’s even a cut with Kalimba on here!  The essence of this music is that while it’s “accessible” (especially for jazz fans), it’s not stock “play by the numbers” stuff.  Heavy onna’ groove, with a dash o’ raw mixed in at times, it’ll get yer’ blood-a-movin’!  It doesn’t come anywhere close to “improv”, in the radical sense, but there are moments where they go on out (just) a bit!  This comes HIGHLY RECOMMENDED!  Contact at, or at 6921 Stockton Ave., El Cerrito, CA 94530; also via email to  (or )    Rotcod Zzaj

Claire Ritter – RIVER OF JOY:  Beautiful and most relaxing piano pieces (primarily) with the listener’s heart in mind.  Claire’s fingers paint some beautiful sonic tapestries.  This isn’t “just jazz”, it isn’t “clearly classical”… simply Ritter, I’d say!  She uses the full range of the keyboard without sacrificing (even) a moment of clarity.  The expressiveness in her style just reaches out & grabs the listener, but in a very pleasant & personal way, not at all intrusive.   If you are looking for mad scientist keyboard improvisation, you’ll have to search elsewhere… this is very much “solid” piano work that will appeal in many different ways to a broad range of listeners.  On the other hand, there is a great deal of energy in Ritter’s work, especially in the creative flow of communication to the one listening.  I enjoyed it very much & give it a HIGHLY RECOMMENDED!  Contact through  or email    Rotcod Zzaj

Mike Bowman & Scott Carr – EGG-O-MATIC:  Here is some heavy homemade music (the BEST kind) that will whip you right into that frenzied state you (always) wanted to be in!  Mike is also known as “MJB”, & he’s been in th’ “underground home-taping” scene ever since I can remember (& I remember quite a lot about that).  Catchy little riff-tunes that incorporate innuendoes of insanity in among what you think is (like) a reg’lar tune.  Some very interesting spoken-word woven in, not “trashy cut-up” stuff at all.  Only drawback is – there’s only FOUR CUTS on here… & even with that short a repertoire – you WILL want MORE!  Phun & phunky, all mixed (like an eggbeater gone nutz’) in a pleasant listening bag!  Gets a MOST HIGHLY RECOMMENDED for any who are aurally searching for fun, travel & adventure in their music!  Contact at 42 Kalina Dr., Rhinebeck, NY, 12572, via email to or on the site at   Rotcod Zzaj

Refined Records – PARISIAN HONEYMOON SUITE:  ‘k, volks… think Django… you know, as in “red-hot string swing”!  There, you’ve got it.  Some wonderful assemblages of sweet strings in jazz mode, this CD is one of the most relaxing musical experiences I’ve had!  There are too far many artists/venues on the comp to note them all, but by way of example… Babik Reinhardt, son of Django, plays some sweet guitar solos.  Kick off your shoes & get ready to join Gene Kelly in some kind of light & fluffy musical dream, eh?  It’s kind of like that, music to drive by, iron clothes by or dance the night away to… because it’s a collection of so many, there’s not a lot of “individual artist” focus, so the album doesn’t stand out in one’s mind, but the music will definitely hold it’s own.  This gets a HIGHLY RECOMMENDED from us, especially for listeners who love some string in their swing!  Contact at Musik International, 154 Botasso Rd., Boulder, CO 80302 (e-mail is    ) Rotcod Zzaj

Lord Litter – JUST BLAME EDDIE:  Believe it or not, this “Orange Entropy” release is my first listen to Mister Litter… hmmmm… pretty dam KEWL!  Thought I was listening to straight-up Eddy Arnold, with a twist of Johnny Cash tossed in fer’ good measure… lots of strum-acoustic guitar, very country-oriented on the opening piece, “Love Freak”, but then (in the last minute) there’s a really nice lil’ organ solo that creeps in there.  Litter has a majickal element to his composition, harmonies snuck in all over the place, intricate sonic surprises that are most pleasant.  His vocals are strong, sort of a cross between Willie Nelson & Tom Waits, if you can dig that!  Don’t miss this one… all you home-taper fans out there will want to have this one… it’s bound to become a collectible!  For those who enjoy well-composed/high energy music with a folk/country bent, this is MOST HIGHLY RECOMMENDED!  Contact at Orange Entropy Records, c/o Stephen Zimmerman, 327 Evanston Dr., East Windsor, NJ 08520, or directly from the artist, via email to  or on his site, at   Rotcod Zzaj

Claire Ritter – CASTLES IN THE AIR:  We recently reviewed the first CD in this dual-release by Ms. Ritter (“River of Joy”) very favorably.  As often happens when I’m going back through the stacks of CD’s waiting for review, I realized that this was yet another “overlooked gem”.  The CD features Claire’s wonderful keyboards in a (pretty much) straight-ahead jazz mode with many other artists.  She has a very sensitive touch, & the cuts reach deep into the blues mode.  Sonically, it’s one of the best recorded I’ve heard in months, & will provide hours of relaxation for the jazz aficionados among us!   Claire is an artist to “keep your ear on”… she’ll be on the scene for years to come.  if you’re looking for “out” jazz, you’ll need to move on to another catalog… this is more traditional in focus, but (still) captures some moments of true creative composition.  For the jazz fans among our readership, this clearly merits our MOST HIGHLY RECOMMENDED rating!  Contact through  or email    Rotcod Zzaj

Methuselah Junky Browne – CLOUD:  Those who’ve been ’round th’ underside for a few years will recognize the acronym right away… MJB, of course.  What an INTERESTING CD this is (like Red Riding Hoods’ gramma’ woulda’ said, right?).  Pounding rhythmic undercurrents under a synthweave on the openening cut that takes the listener off into the “cloud”?  Somethin’ like that, no doubt.  Lots of variety, too… “Sunset #9” intrudes on th’ turf of th’ rawkers, verzure (tho’ it fades orf into cricket-land).  “Upon Discovering The Lair Of The Secret Beach Boys Fans” has some great jazzy guitar sections on it!  Th’ tunes are all fairly short, the longest clocking in at 4:35.  MJB knows how ta’ “rope yer’ in”, tho’… just enuff toon ta’ leave yer’ sayin’ “GIMME’ mo'”!  A thoroughly enjoyable home-produced CD that rates a MOST HIGHLY RECOMMENDED!  If you’re lookin’ for somethin’ (just) a lil’ different, GET THIS!   Contact at 42 Kalina Dr., Rhinebeck, NY, 12572, via email to or on the site at   Rotcod Zzaj



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We WANT your announcements/links about great places for D.I.Y.’er’s… SEND us your links… e-mail to 




please forgive the “form letter” approach, but:

it is my intention to list your organization in my magazine
under the “reviewers” section.

IBOL records (mag)(a)(zine) is a DIY print zine & enhanced CDr package that
DRONE music, and the support structures in place for these arts
(performance venues, radio stations, record stores, publications, labels,

i found your information and wanted to include it in an upcoming issue…
i have email/web/postal addresses already.
what i would like to know is
-which (if any) of these types of music are you looking for?
-do you accept totally unsolicited submissions?
-what media formats (tape, cdr, etc.) do you need?
-whether you actually want to be listed…
-anything else you’d like to tell me!

for anyone who is as generally paranoid as myself:
there is no money involved…this is a totally free listing…
i am simply trying to help get the underground scene together.

you can also place a totally free .jpg-file advertisement on the
“enhanced” part of the CD if you like…anything…
this project is a pooling of resources, and i want to help everyone.

thank you very much,
feel free to contact me with any questions or concerns,

IBOL records
5715 callowhill st. #6
pittsburgh PA 15206




Real time community away from your computer screen!
Get away from that cold screen and those email lists
and enjoy living without the hustle and bustle of the
gig.  Be the scene not behind the scene.

Where: Place Pigalle 520 Hayes St.  (Hayes @ Octavia)
San Francisco, California USA
7 blocks from the Civic Center BART

When: FRIDAY September 28,  8pm-12 midnight

This trial event will hopefully be a regular hang out.
Come and have a drink in an informal get together.
Hosted by Ernesto Diaz-Infante and Rent Romus.
Whereever you come from, what ever you improvise, all
styles, all backgrounds.  Women, Men, green or purple
it’s all about community!

Hope to see you there!

Yahoo Map Locator:

for more info on the SF bay area experimental music scene checkout:


Smokestack Lightnin’ Blues Radio has posted its latest 2 1/2 hour blues program (#0323). The
URL is which is our homepage. Click on our logo and you will
go right to the show. This all original blues program is available on demand using
RealPlayer. If you don’t already have a Real Player you can download the software for free from If you have friends in the blues please forward this e-mail to them so they
too can experience “the best blues in the world” with Smokestack Lightnin’! We are a
not-for-profit organization devoted entirely to promoting the blues and blues artists who are
overlooked by radio. We hope you enjoy the show and that you tell your friends about us.
SET #1 ( The Top 5 songs in the Blues this week according to Smokestack Lightnin’)
#1 Big Bill Morganfield/Strong man Holler/Ramblin Mind/Blind Pig
#2 Johnny Rawls/Hit By A Truck/Put Your Trust In Me/JSP
#3 Snooky Pryor&Carey Bell/Keyhole In Your Door/Superharps II/Telarc
#4 Etta James/Gotta Serve Somebody/Matriarch Of The Blues/Private Music
#5 BBKing & Eric Clapton/Riding With The King/Riding With The King/Reprise
SET #2 (New Blues)
Don Covay/Don Covay Boogie/Adlib/Cannonball
Little Smokey Smothers & Elvin Bishop/Roll Your Moneymaker/Thats My Partner/Alligator
Billy Boy Arnold/Bad Luck Blues/Boogie N’ Shuffle/Stony Plain
Set #3 ( New Acoustic Blues)
R.L. Burnside/Can’t Be Satisfied/Well Well Well/MC
Corey Harris/Walkin Blues/Dealin With The Devil/Cannonball
Robert Palmer/Milkcow’s calf Blues/Hellhound On My Trail/Telarc
John Campbell/Rollin’ Stone/Tyler Texas Session/Sphere Sound
Maria Muldaur & Alvin Youngblood Hart/I Got To Move/Richland Woman Blues/Stony Plain
Set#4 ( New Soul Blues )
Mighty Sam McClain/Jesus Got The Blues/Blues For The Soul/Telarc
Bobby Rush/Shut Up!/Hoochie Man/Waldoxy
Shirley Brown/Stickin’ By My Man/Holding My Own/Malaco
SET#5 ( Newly Re-Released Classics )
Professor Longhair/Baby Let Me Hold Your Hand/The Ebb Records Story Vol. 2/Specialty
Albert King/Born Under a Bad Sign/Millenium Blues Party/Rhino
T-Bone Walker/Call It Stormy Monday/The Very Best Of T-Bone Walker/Rhino
Muddy Waters/Feel Like Goin’ Home/Rollin’ Stone-The Golden Anniversary/MCA
Honeyboy Edwards/Big Fat Mama/Mississippi Delta Bluesman/Smithsonian Folkways
Lightnin’ Hopkins/Baby Please Don’t Go/The Very Best Of Lightnin’ Hopkins/Rhino
SET #6 (New Blues )
Carl Weathersby/Come To Papa/Come To Papa/Evidence
The Criswolds/Sad Sad Day/Cockeyed World/Blue Suit
Taj Mahal/Honky Tonk/Shoutin In Key/Hannibal
Little Buster & The Soul Brothers/You’re Gonna Make Me Cry/Work Your Show/Fedora
Grady Champion/Wine& Women/2 Days Short Of a week/Shanachie
SET #7 (More New Blues & Jazz)
CoCo Montoya/Fool/Suspicion/Alligator
Kristi Johnson/Midnight Rambler/That Would Be Fine/Stony Plain
Ronnie Earl & Jimmy McGriff/Churchin’/Healin’ Time/Telarc
Matt Guitar Murphy/Boogie Overture/Lucky Charm/Roesch
Booker T & The MGs/Time Is Tight/The Stax Story/Stax
Smokestack Lightnin’ is an internet-only radio program that features the Blues, Adult R&B, and Adult Soul Music. It is available on demand at .
Smokestack Lightnin’ is a production of Ilakanickel Productions.
200 Shell Point West, Maitland, FL 32751
Phone: 407-644-0522, Fax 407-644-6949
Norman P. Thompson Jr.:Program Manager
Paul Newnum: On-air Host
Marvin Rooks: General Counsel
Rob McKinney: Systems Coordinator at Worldramp
Smokestack Lightnin’ and our logo are registered trademarks




We at cordially invite you to visit our site. Blizzard Records is designed for those individuals who are interested in purchasing music CDs that are not available in stores. All CDs can be reviewed for free at anytime you

wish. So have fun we trust that we will hear from you.

Thank you.

Blizzard Records





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breakfast on the  porch
covered with dry leaves
sixteen days later
breathing barbecue smoke
from World Trade Center pyres.

joan payne kincaid



Copyright 2001 Brent M. Parker

Everyone is on a fun ration.
When you have too much
It cyphons off someone’s supply.
They try
To dam you up
Damn them!
Dam them all…


“An Open Letter”
Copyright 2001 Brent M. Parker

Dear World,
(including Myself)

Please refrain
>From telling me
What to do
When to do it
How to do it
Why to do it
Where to do it
And who to do it
To, for or with

Who the Hell died and made you God,
When the Hell did you become so damned

Your dear friend,

“I want my poetry.”
Copyright 2001 Brent M. Parker

.to be read solemnly from books
and spoken spiritedly in conversations.

.to be dissected in college classrooms
and magnetized to refrigerator doors.

.to be searched for in libraries
and stumbled across on friends’ coffee tables.

.to create comfort
and unrest
as it rests on dressers
and runs through minds



The call came on the freeway…

Turn around and go see family B.

I knew this would be hard.

I had been invited in

to the intimate end

of a person’s life.

For three weeks

I had treated

pain, rash, infection,

counseled the family

on end of life matters,

listened, encouraged, prepared.

Now in a compassionate

but professional way

I was calling and reporting a home death,

stating there was no trauma to the body.

Our man died of lung cancer

with a loving family around him.

Birth date, address, next of kin,

then cleansing and dressing the body,

calling the funeral home for the pick up…

But just as I was leaving

I realized the daughter, the chief caregiver,

had disappeared.

I asked, was Babette around?

They called to her.

I met her on the stairs.

I said , ” I just wanted to give you a hug.”

We held each other for a moment

in that wordless cosmic way

with a hug that breaks the heart of death

and holds the hands of healing.




Belinda Subraman

3500 Morehead #6

El Paso, TX 79930






The last time I saw Mr. M. …

we shared a moment,

a smile, a twinkle,

fleeting, yet beyond life.

I reminded him

to take his pain medicine.

I opened the child-proof lid for him

and labeled the bottle

“por grande delor”

and left it on the bedside table.

We laughed at my Spanish.

I left telling him

to call me, call me, call me

if he had any problems.

He was found the next day

in the floor,

his hands

frozen around the phone.



Belinda Subraman

2500 Morehead , #6

El Paso, TX 79930




Dan Lukiv
  A loveless
A eunuch.
  spring-humming    birds,
as peculiar as gone-to-seed
dande    lions,
quiver with
x = y-precision;
they chase kinfolk
from the red juice-feeder.
as graceful as a whisper,
as gentle-looking as a sleeping
they dart and hum–
tiny heli-planes,
zigzagg    ing
pecking order-beasts
that d i s a p p e a r
  See the pearls
That men dive
Too deeply
  Like rage
At the bottom
Of Dylan Thomas’
  A porch light whitely
Attracts brown moths
                          take off
That land and              and
Land and
take off,
  But later,
On the cool deck,
They’ll twitch and die
Like expatriated fish.
  did you hear the
raintrain traintrain traintrain traintrain traintrain traintrain traintrain tra

             (Thanks to  Anita Virgil for  her train-poem
in  One Potato Two Potato Etc  (Peaks Press,
Virginia, USA, 1991))
did you hear the frogs
        croaking                        croaking

at the pond?
  HAIKU 17
On horse-dung
  He prunes and weeds and–
  He’s gift-wrapped
With “please” and “thank you”
And silk ties,
  His wife counts fat-grams
On a rosary,
And his two children
Ride the honor roll.
  But he does not like himself–
That’s his secret.






I’m a poet, novelist, and short story and article writer. My work has appeared 1024 times in publications such as The Canadian Children’s Annual, Canadian Writer’s Journal, A Journal of Contemporary Canadian Poetry and Poetics, Ahoy, Mamashee, Planet of the Arts, Green’s Magazine, Firm Noncommittal, The Artist’s Journal, Redoubt (Australia), ars poetica (Australia), Deepsouth (New Zealand), Purple Patch (England), Psychopoetica (England), Current Accounts (England), Breakfast all Day (England), Children International (England), Splizz (Wales), Electric Acorn (Ireland), Green Apples (Slovenia), Students on the Net (Singapore), temps libres (Belgium), Anthology Magazine (USA), Electronic Magazine of Multicultural Education (USA), The Sunday Suitor Poetry Review (USA), Haiku Headlines (USA), You Can’t Take it With You (USA), The Blind Man’s Rainbow (USA), Fresh Ground (USA), Up Dare? (USA), Writer’s Forum (USA), Writer’s Exchange (USA), Poetree (USA), MOON Magazine (USA), Poetry Magazine (USA), artisan, a journal of craft (USA), Arnazella (USA), Emotions (USA), Hear Our Voices! (USA), Words of Wisdom (USA), Creative Juices (USA), the aardvark adventurer (USA), The Poetry Explosion Newsletter (USA), The Armchair Aesthete (USA), Poet’s Market (USA), Syncopated City (USA), The Sunflower Dream (USA), The Herb Network (USA), Laughing Bear Newsletter (USA), Nomad’s Choir (USA), Our Journey (USA), Improvijazzation Nation (USA), Pegasus (USA), Omnific (USA), Planet Magazine (USA), The New Horizon, *spark, To Do, Quesnel Community News, The Westcoast Reader, Over the Edge, The Writers Publishers, The Cariboo Advocate, Quesnel Writers, Prime Areas, The Cariboo Observer,, The Alberta Teachers’ Association Magazine, The Word is Out, Minor Hockey News, The Little Gazette, The Source, The Poet’s Corner, The Path Not Taken, Pierian Spring, Repository, Origins, The Charlatan, Quack, The Challenger, Time for Rhyme, Alpha, Waves, Shadows and Light, Teacher, McNaughton Yearbook, The Student Voice, Tale Spinners, The Brunswickan, Wordspinners, The Buzz, Western People, The Speaker, canadian content, Coffee Break, Meditations, Carson Communique, Authors, CannedPhlegm (USA), Point Judith Light (USA), Entre Nous (USA), The Neovictorian/Cochlea (USA), Japanophile (USA), Poetalk (USA), Wildflower, Piedmont Literary Review (USA), Moose Bound Tales and Other Stories (USA), Poetic Bridges (USA), The Journal of Poetry Therapy (USA), The Green Tricycle (USA), Timber Creek Review (USA), Fuel (USA), Poet’s are Heroes, Too (USA), Poetic Realm (USA), Poetic Voices (USA), Writing (USA), Sidewalk Tales (USA), PandaLoon (USA), Poetic Page (USA), Afterthoughts, and Education Perspectives.


More of my work will soon appear in canadian content, Spaced Out!, Haiku Moment (Yugoslavia), Ammonite (England), Krax Magazine (England), Current Accounts (England), Poetree (USA), and Writer’s Journal (USA).


Additionally, during 2000, I served as a weekly columnist for Students on the Net, an education magazine (on-line) in Singapore. My column, officially endorsed by Lycos Asia, was called “Lukiv’s Corner for Educators.”




1) Quibils and Quirks (a 108-chapter children’s novel, serialized in The Cariboo Observer, 1997/98/99); 2) Our Television is Weird (a children’s electronic book on disk, HMS Press, 1996); and 3) Fireside Reading for the Whole Family (stories, some poetry, McNaughton, 2000).




1) Communications for the Third Millennium: Part I (Quesnel School District, 1998); 2) Communications for the Third Millennium: Part II (Quesnel School District, 1998); 3) Creative Writing for Senior Secondary Students (BCTF, 1997; listed as its 1998 number one bestseller); 4) For Writers Only (Island Scholastic Press, 2000, 2nd edition 2001); 5) “The Master Teacher” (McNaughton, 2000); and 6) Composition: The Nuts and Bolts of Style–and a Few Other Things (Quesnel School District, 2000); The Master Teacher: A Collection (y press, 2001).




1) The Photon Cellar (serialized in The Cariboo Observer, 1994); 2) Poems Straight from Quesnel (Quesnel Writers’ Group, 1997); 3) One Little, Two Little, and so on (Island Scholastic Press, 1998); 4) Cariboo-Winter (Cotton Press, 1998); 5) Men and Women (McNaughton, 1999); 6) I Love You (Kids Are Great Press, 1999); 7) Exchange Program (Rainbow Press, 1999); 8) The Germans from Dortmund (y press, 1999); 9) One Little, Two Little, and so on II (The Poets’ Corner, USA, 1999); 10) The Wise Man (Writers Brew Press, England, 1999); 11) The Wise Man (serialized in Over the Edge, 1999/2000); 12) The Lead Guitarist (serialized in *spark, 2000); 13) Skipping Stones (Cotton Press, 2000); 14) After the Rain (Borders & Time, USA, 2000); 15) The Winter Sun (Haiku and Tanka Anthology, 2000); 16) At the Home (Poetry Magazine, USA, 2000); 17) Quesnel: Between the Two Rivers (, 2000); 18) Not Just Another Day (Poetree, USA, 2000); and 19) The Ruby of the Universe (presently being serialized in canadian content, 2000/2001); upcoming: Spuds for Jonathan (The Brobdingnagian Times Press, Ireland, 2001);


My formal apprenticeship as a writer includes intensive personal direction from masters such as Canada’s Professor Robert Harlow, the USA’s Paul Bagdon, and England’s D.M. Thomas. I studied creative writing at UBC (The University of British Columbia), and I graduated from The Humber School for Writers’ Creative Writing Program and from The Writer’s Digest’s Advanced Novel Writing Program.


I should add that from 1990 to 1998 I served as the editor of a literary journal called The Challenger. In 1998 I renamed the journal Challenger international (listed in the 2001 Poet’s Market, Writer’s Digest Books, 2000), and I have served as its editor since then. I have also edited 13 collections of English poetry from Canada, the USA, Switzerland, Slovenia, Columbia, and Russia.


For 22 years I have worked as a schoolteacher (B.Sc. (mathematics), UBC, ’76; Teacher Training (kindergarten to grade three), UBC, ’77; presently (1999 to 2001) I’m enrolled part-time in a M.Ed. Program at the University of Northern British Columbia), but I have also worked as a learning assistant, tutor, blues guitar teacher, workshop leader, car rental agent, longshoreman, porter on a cruise ship, deck hand on many tugboats, shipyard worker, cook, research assistant, janitor, warehouseman, gas jockey, British Columbia Horseshoe Championship scorekeeper, paper boy, berry picker, speech therapist-assistant, editor, literary agent, and poetry reviewer.


I teach Creative Writing 12 to senior students at Quesnel’s McNaughton Centre. That course, which I wrote, is based on Professor Harlow’s Creative Writing 202 at UBC. My course has been published by the British Columbia Teachers’ Association, and is listed in its Lesson Aids Catalogue.


Many of my creative writing students have had their work published in The Cariboo Observer, The Cariboo Advocate, The Challenger, Kids World Magazine, The Word is Out, Teacher, The Student Voice, Against the Wall, Western People, To the Wall, (USA), TG: Voices of Today’s Generation, and Challenger international; and through Island Scholastic Press, Cotton Press, and Rainbow Press.


I have also taught creative writing courses to adults through the Quesnel School District’s Continuing Education Department.


As an actor, I have performed in four plays before audiences of up to 4000 at the Convention Center and Civic Center (both in Prince George, BC, Canada).


(self)INTERVIEW with Zzaj


Zzaj:  Why in hail are you leavin’ Michigan?  (You only went out there 2 years ago)

RealZzaj:  A Communist plot?  Terror attach?  Guilty conscience?  Actually, none of the above… in the aftermath of Twin Towers, my company started laying off people… as is usually true, they lay off the ones (first) who are most difficult for the “upper-crust” management levels to deal with.  In a sales-driven organization, that means people who are always “straight-up” & tell the truth are GONE!

Zzaj:  Will the Zzaj Productions site remain up?

RealZzaj:  Only until around 15 October… at that point, it will be taken down… we will reestablish it around the end of November, 2001, in Olympia, Washington

Zzaj:  What will you be doing (back) in Washington?

RealZzaj:  Assessing options; meeting old friends again; drinking lots of espresso; staying in a “temp” situation until (possibly as long as) August, then moving back into our house there; getting mentally prepared to play music a lot more; using the Internet to figure out any ways possible to expose people whose foundations are built on sand; exploring opportunities with companies like Manpower, Volt and Kelly Services

Zzaj:  Any “words of wisdom” for all the readers?

RealZzaj:  KEEP ON D.I.Y.’in… do NOT let the barstards get you down!  USE your talents to bring DOWN those who have evil political motives!




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Be AFRAID of no one!  Politicians (and salesmen) LIVE on your fear – literally.  They have some twisted belief that their lies can/will change people.  NOT so… all they do is HURT people!  It is (truly) up to YOU to let them know that (despite their efforts to the contrary) there are STILL folk around who will STAND UP to them.  Who will ALWAYS tell things the way they are.

Will that have any impact on their deceitful ways?  Doubtful… they are (particularly the salesmen) living in a delusional world that makes them bend & twist the truth to their own desires – as a matter of course.  They have their own puppets, who always do their bidding (or have strange masturbatory fancies about them… of course, a trip to “confession” will absolve them of all responsibility for their acts, don’cha’ know?)

What one must realize when dealing with these deranged representatives of “the Amurrikan Dream” is that they fear YOU more than anything else… your ability to speak gently causes them endless sleepless nights.  They have NIGHTMARES about what might happen if you speak the truth to a client… and that is a GREAT thing!  Truth will ALWAYS overcome deceit.  

These troubled times have been heralded as a motivator for “bringing us together”… but be sure that they don’t want us to get “too much” together!  The politicians and salesmen of the world would not know how to DEAL with people who don’t sell their souls!  So, it is a different KIND of “coming together” we need to have… come together to share intelligent views of how idiotic it is to have your whole life based on fear and greed… come together in a united way to show/tell those who would sell you down the river at the drop of a pin that they HAVE no control over your thoughts and opinions!  And SURELY continue to tell them when you see things that are just plain WRONG.  TELL them that you don’t CARE that they don’t want to hear it… TELL them that they WILL continue to hear it; that others in their spheres of influence will hear the truth as well!  TELL them that you are NOT afraid of their evil and hateful ways… and lastly, make them go look up the following passages:

Psalms 35:17-26

…I’m not a “bible thumper” (far from it) – but verse 20 in that passage SAYS IT ALL:

“20 For they do not speak peace, But they devise deceitful matters Against the quiet ones in the land”

READ that passage & realize that (no matter your “brand” of faith), you were not PUT here on this earth to be afraid… to wilt when the wind stirs.  While I don’t believe in little old white-bearded guys coming down & thumping bad guys on the head, I surely DO believe in one old adage:

“What goes around comes around”!

Think it over… it’s gonna’ be a FUN couple of years!

Till next time….


Rotcod Z