Issue # 167 reviews

Our latest and greatest reviews for your reading & listening pleasure

(Click HOME to see the index of all issues)

NOTE:  I normally only do 30 reviews per issue… due to the high volume of submissions, I will be reviewing several more (20 additional, for a total of 50) for this issue (and future issues, until our backlog is honed down)… “normal” review cycles will resume when I’ve got the QUEUE down to under 100! 

If you are an artist/promoter who needs a review more quickly, be sure & check out our new EXPEDITED/EXPANDED review services!

Shoup, Horist, Kikuchi – CHEMICAL LANGUAGE: You really, REALLY, don’t often get an improvisational trio with this much POWER in it… Wally Shoup’s sax work, Bill Horist’s inflamed guitar stretches and driving drum work from Paul will have any improv fan lickin’ their lips and lusting mightily after what these cats are creating in real time for their ears!  Wally and Bill handed this one over to me at an Olympia Experimental Music Festival gig they were playing (a couple festivals back; sorry, guys)… of course watching masters like this in a LIVE setting is always better – but, with that said, when you listen to tunes like “Acceleration Lane“, you’ll fast realize that their improv work is not only “masterful”, it’s also timeless… a real and fascinating glimpse at how they speak to each other!  The drum/reed duo on “Id Martyrs” is just fantastic, and when Bill’s guitars roll in at the 2:10 mark, the song just TRANSPORTS them (and YOU) to whole new vistas!  My personal favorite of the seven pieces offered up is also the longest cut on the album… “For Within Me was a Famine” shows improv skill beyond measure, and a whole new dimension in their playing together!  LOVED this one… it gets a MOST HIGHLY RECOMMENDED from my old ears, with an “EQ” (energy quotient) rating of 4.99!  Get more information on the Bandcamp page for the release.       Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Patrick Bradley – INTANGIBLE:  I’m not entirely sure why this is my first listen to master Hammond player Patrick’s work (but I’ll surely talk with the promoter about that, lol)!  His great organ work is highly complimented by fusion gem Jeff Lorber, who has been reviewed in my page many times before, as well as bassist Jimmy Haslip, guitarist Michael Thompson and drummer Gary Novak… & though the album is billed (at least in part) as “smooth”, the energy on display takes it several steps above that mundane classification!  Just listen to tunes like “Tailwind“, & you’ll be blown away just as much as I was – the keyword for Patrick’s music is “fresh”!  You get just under 45 minutes of music that is perfect for blasting away in the car as you cruise on down the road, or mellowing out in your living room… check out the 4:43 title track, “Intangible“, to hear what I mean… this music MOVES folks!  Of the ten tunes offered up for your listening pleasure, though, it is “Destiny” that is my clear personal favorite… one of the tastiest fusion compositions I’ve listened to (yet) in 2017!  I give Patrick & his musical pals a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98 for this fine album.  You can get more information about Patrick at the Patrick Bradley website.          Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Jennifer Saran – WAKE UP:  After several listens to Jennifer’s album, I have decided to move it into a FEATURED slot at Contemporary Fusion Reviews

 

 

 

 

 

 

 

 

Rick Sparks – NIGHTFALL LONDON: Having listened to and reviewed Rick’s pleasure-filled compositions before (issue # 154), I was already anticipating great piano and masterful synth/string work… and, of course, that is exactly what I got – just listen to the beautiful strings on the opening track, “Across The River“, and you’ll find yourself sitting on the banks of the Thames as night gently darkens the sky… the voices he incorporated make it sound quite like a choir of angels is accompanying his piano on this fine tune.  Tones of a different sort on “In The Bleak Midwinter” are still very enticing, perhaps because the focus is on Rick’s piano (and, again, there are those beautiful vocals complimenting the track).  The brilliance and shining sense of life and the living of it are perfectly captured on my personal favorite of the ten compositions offered up for your listening pleasure… “Highland Rose” will transport you (easily) to the peace you’ve been yearning for!  I give Rick a MOST HIGHLY RECOMMENDED, and an “EQ” (energy quotient) score of 4.98 for this excellent sonic adventure.  Get more information about this great artist at Rick’s website.        Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Kerani – STARDUST:  Kerani got a “PICK” from me in issue # 146, so you know already that your ears are in for a huge treat… not too many players or groups get that status from me… and the new release is just as regal and inspiring; just listen to the majestic orchestral sounds on “Rosetta“, and you will be as drawn to their music as I was.  Kerani said that his overall message “is to make people aware about the wonders of our planet”, and that has certainly been achieved!  With the orchestras and other folks involved in this recording, the total amount of players came to a stunning 60 people… there’s no doubt in my mind that this is award-winning music, and I look forward to seeing it nominated.  That’s especially true for my personal favorite of the ten songs offered up for your enlightenment… the feeling of awakening to a brand-new universe, unfettered by petty politics and preachments, is palpable on the wonderful “Cosmic Sunrise”… the one piece of advice I have for this album?  Listen to it with your headphones on, at least for the first sitting – you’ll be glad you did!  I give Kerani a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this great album.  Get more information at Kerani’s website.       Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Jack Gates – BRING THE FLAVORS:  Delicious and delightful guitar work from Jack, who got high marks from me in way back in issue # 142… his theme on this tasty new release is the mixing the music of various cultures into a wonderfully relaxing potpourri that will have you playing this album over and again… particularly on songs like the 3:22 “Time In“… swirling and whirling you to oblivion (I loved the harmonica by Damien Masterson).  If you’re a jazz lover, you’ll relish the dense textures Jack paints for you on “Cloud Forest“; the pacing is perfect on this composition, too!  Though it’s a very short piece, I enjoyed “Dawn Walker” a great deal (there’s that harmonica again).  Jack said of the music on this latest release – “an outgrowth of meditation and being close to nature “, and nowhere is that more evident (and enjoyable) than on my personal favorite of the fourteen songs offered up than on the intricate “Seraphic Journey“… it clocks in at 8:15, so that’s part of why I loved it so much… lots of room/time for exploration.  I give Jack a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98 for this most enjoyable musical adventure.  Get more information about Jack on the Allmusic page for this release.        Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Mystic Journey – KINGDOM OF MOUNTAINS:  What a group – Suzanne Teng (world flutes), Gilbert Levy (world strings and percussion), Dann Torres (guitar and oud), and Jon Ossman (bass and dilruba)… and what a JOYOUS set of music!  Ten all-original creations that will lift you to new heights and give you inspiration for going even farther… just absorb the highly talented integration of percussion and strings on “Home“, and you will be a believer… I listen to this piece over and over again whenever I need encouragement to continue my journey.  This is exactly the kind of music we need to introduce our children to, at the earliest age possible… you’ll hear why I say that when you listen to the 4:42 “Delicate Rainbow Flower” – that flute just SOARS on this beautiful piece.  Usually when I read the words “long anticipated” in a promo sheet, I automatically assume that it was the artists who were waiting for it to come together… NOT SO for Mystic Journey… when they play tunes like my personal favorite of the ten offered up, “Viento“, I am reminded that our world is NOT a place for politicians and preachers to glorify themselves… it is, rather, a place for peaceful spirits like the folks in Mystic Journey to guide us toward our ultimate destination – tranquility and love for each being on our planet.  I give these great players a MOST HIGHLY RECOMMENDED with an “EQ” (energy quotient) rating of 4.99.  Get more information on the Mystic Journey website.           Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Jason Rigby – ONE:  It’s been a good while since I listened to & reviewed Jason’s full-throated high-energy sax work… issue # 88 was the last time, but this new one proves he’s learning his lessons well… just think “Sonny Sharrock” only on sax instead of guitar… Jason WAILS, along with his partners Cameron Brown on bass and Gerald Cleaver doing drums… be sure & check out the bass intro on “Dorian Gray“, & then rock right on along with the rest of the trio for the full 6:28 tune… totally spontaneous & full of life – this is one of my favorite jazz pieces (yet) in 2017!  Very open-ended playing, especially on pieces like the well-honed “Live By The Sword“… the trio paints sonically, but you’ll have an easy time visualizing exactly what they’re telling you.  Each of the players is fully aware of the others, so you don’t wind up with any long “rants” on the part of any one of the players… in fact, I’d say this is among the most cohesive (and forward looking) jazz trios I’ve heard in a long, long time.  My choice for personal favorite of the eight great performances offered up is their treatment of Herbie Hancock’s “Speak Like A Child“… Jason’s reed work just SHINES on this piece.  For those who just love jazz trio work that opens up plenty of possibilities for their ears – this is MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99.  Get more information on Jason’s website.          Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Quinsin Nachoff, Mark Helias, Dan Weiss – ETHEREAL TRIO:  There’s one word that truly describes this fantastic sax (Quinsin) drum (Dan) and bass (Mark) trio, and the promoter already captured it in the sheets – adventurous!  & though there are only six songs on the album, you still get over forty minutes of (very, VERY) solid jazz listening!  I was particularly impressed with pieces like the ever shifting “Subliminal Circularity“… as the title indicates, this will reach deep down into the listener’s soul and fire off synapses long thought lost and gone forever… Quinsin’s reeds are full-bodied and probing in tone, though not so strongly as to be intrusive.  The opener, “Clairvoyant Jest“, though much shorter (5:54), starts perking at high-intensity on the very first note, and explores territory previously undiscovered.  My personal favorite of the six tunes offered up, though, is (most assuredly) the 9:57 closer, “Portrait In Sepia Tones“… the space provided for each player is significant and I’ve ot heard a more haunting bass lead/solo (yet) in 2017.  I give Quinsin and his musical cohorts a MOST HIGHLY RECOMMENDED with an “EQ” (energy quotient) rating of 4.98 for this fine release.  Get more information about the recording on the Whirlwind Recordings page for the album.           Rotcod Zzaj (author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Vadim Neselovskyi Trio – GET UP AND GO:  I’m thinking the title may have something to do with the performance being a return for high-energy jazz pianist Vadim to his home in Ukraine… the bottom line, though, is that this trio (he’s joined by bassist Daniel Loomis and drummer Ronen Itzik, and their natural affinity for each other’s playing is totally evident, especially on pieces like the beautiful (and deeply moving) “Winter“… the movements and changes on this 7:14 gem make it a sonic work of art that you will find yourself listening to over and over again!  Vadim’s ability to move up and down the scale in rapid fashion on the fun-filled opener, “On a Bicycle“, are stronger than most jazz pianists you will listen to – ever, and the interplay between the instruments makes this one of “bounciest” tunes I’ve heard (yet) in 2017.  It was the heavy (almost dark) tones on one of the shorter compositions, “Krai”, that made it my pick for personal favorite of the eleven songs offered up for your musical enjoyment and discovery.  I give Vadim and his cohorts a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.97 for this fine release.  Get more information about this fascinating jazz wizard on his ABOUT page.    Rotcod Zzaj  (author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Miguel Zenón – TIPICO:  There’s really only one primary advisory for this album from Miguel – listen on LOUD!!! In addition to Miguel’s scorching sax work, you also get Luis Perdomo, Hans Glawischnig, Henry Cole… I’ve reviewed his great work before, most recently in issue # 153, and this new album exceeds even those praises!  The 8:29 opener, “Academia“, starts things off at absolute full-tilt jazz, & I found myself listening to this over & over again… if you’re looking for jazz that just doesn’t stop CHARGING, this is the ONE, folks.  The flowing introduction to “Ciclo” soon morphs into a very dance-able tune that will take you right back to Miguel’s roots.  Miguel’s tribute to one of his frequent collaborators, Guillermo Klein, “Cantor“, is jammed with the rhythmic pulse of life, though in a much more laid-back zone than some of the other pieces.  Strangely enough, it is one of the shorter pieces, Perdomo’s “Entre Las Raíces” (Amongst The Roots) that (easily) captured my vote for personal favorite of the eight songs offered up for listeners who love a bit of sonic adventure.. each of the players has a place, but the stunning interplay between Luis and Miguel caught & held my ear for several replays.  I give MIguel and his high-energy, high-talent crew a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this “must-have” release.  Get lots more information at Miguel’s website.           Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Gerald Cannon – COMBINATIONS:  If you’re a jazz bass fanatic, you won’t be able to resist the high zesty life on Gerald’s “return” album… the eleven song set kicks off with a tune written by one of Gerald’s mentors, Slide Hampton – “Everyman Is A King” will rock your jazz world, as will the rest of the songs!  It’s a stellar crew with him, including saxophonists Gary Bartz, Sherman Irby and Steve Slagle, trumpeters Jeremy Pelt and Duane Eubanks, pianists Kenny Barron and Rick Germanson, guitarist Russell Malone and drummers Willie Jones III (who also co-produced the album) and Will Calhoun, & you’ll hear jazz in all it’s fiery glory on Cannon originals like “Columbus Circle Stop” – this one absolutely KICKS, folks!  If you’re in the mood for something a bit more laid-back, you’ll fall in love (right away) with Gerald’s ballad composition, “A Thought“… jazz as it’s meant to be played (& listened to, of course).  There was no doubt in my mind about what my personal favorite track, was though… the deep & rich tones on “Gary’s Tune” (a tribute to Gary Bartz) is exactly what I want my jazz to sound like – every day, every night!  I give Gerald and his musical amigos a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98 for this fine release.  Get more information at Gerald’s website.          Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

JAMBa feat Bernard Purdie – OFF WHITE:  Another “catch-up” review for this great CD released right around this time in 2016… this nine-song album is what I would term a “sleeper”… it certainly rates your attention, & not just because it features great drumming from Bernard… it’s a (sorta’) tribute to the Beatles, but with some of the most soul-filled interpretations of their songs you’ve ever heard…. in fact, you haven’t LIVED until you hear their take on “Rocky Raccoon“… definitely jazz, with high-energy & strong presence throughout!  In addition to Purdie’s masterful drumming, you get to hear Bruce Bartlett (guitars), Sonny Barbato (piano/Hammond B3), Dave Zinno (bass) and Joe Klimek (saxophone) – & as you listen to “Hey Bulldog“, you just HAVE TO hit the repeat button several times… the soulful sax on this track alone makes it well worth the purchase price, and the guitar leads are just SCORCHING!  Though it only clocks in at 4:39, it is their performance of “Yer Blues” that easily gets my pick for personal favorite on the album… recommendation from me… HEADPHONES ON!  I give JAMBa a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this excellent release – a truly stellar listen.  Get more information on their BANDCAMP page.      Rotcod Zzaj
(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Endemic Ensemble – TANGLED:  Steve Messick leads this fantastic jazz ensemble with his double-bass, joined by Travis Ranney – tenor and soprano saxophones; Matso Limtiaco – baritone saxophone and bass clarinet; David Franklin – piano and Christian Krehbiel – drums,  and as you listen to tunes like the full-bodied 8:49″The Tolovana Stomp“, you’ll hear right away why I got excited as soon as I really sat down & listened to this October, 2016 release (sorry, Steve, I’m only just now able to get ’round to reviewing it).  Steve pointed out in his correspondence that the nine tracks presented here are all originals, but as soon as you hear pieces like the down & funky “The Snort“, you’ll know that… it’s original energy like this that makes jazz what it is today… I just loved Steve’s bass on this fine tune.  What this band best represents (for this listener, anyway) is the POWER that jazz can project, in all it’s forms… & the tune that really cinched that up for me is the excellent closer, “Retro“… it’s an odd thought, but I couldn’t help but think “Peter Gunn” (i.e., Mancini) & at 9:38, the piece has plenty of space for each of the players to shine… and they do that BRIGHTLY!  Steve & his high-talent crew definitely merit the MOST HIGHLY RECOMMENDED I’m giving them, as well as an “EQ” (energy quotient) rating of 4.98.  You can get more information on Steve’s OpusFunkus page for this release.   Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Emily Hay, Brad Dutz, and Wayne Peet – EMILY HAY/BRAD DUTZ/WAYNE PEET:  I first became enchanted with Emily’s vocal spook-werx many years ago, and only got to meet her for the first time when she performed with Amy Denio at the 2016 Olympia Experimental Music Festival… if you’re not just as hooked as I was when I reviewed her “Like Minds” CD in issue # 71, there’s something aurally wrong with you, lol!  She handed a couple of CD’s off during the 2016 meeting, & this is (I believe) the last of that batch.  As you listen to the sample for “It Can Be Thick“, you’ll hear why I was immediately drawn to her talent… Brad’s percussion and Wayne’s high-end organ works support Emily’s flute/voice lead in marvelous ways, and make for a few moments when you’ll think you’re at a concert… a SUPERB song!  Of the nine songs offered up, though, it’s the closer, the 12:27 “Possum” that made it a perfect pick for my personal favorite… one word of advice (especially for this song, but really for the entire 1:06 album) – listen with your HEADPHONES ON, & the volume at mid-levels, so you can catch every scintillating nuance these wizards create!  For those who love improvised and creative music, this album is MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) of 4.99.  Get more information, and purchase, at the pFMentum label page for the release.          Rotcod Zzaj (author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Andrew Hartman – COMPASS:  I’m not sure what’s up with my REVIEW QUEUE… it seems like everything in the lineup this week is guitar-led jazz… Andrew’s excellent playing on this superb quartet (he’s joined by Chris Cheek doing tenor/soprano sax, Ike Sturm doing bass and Zach Harmon on drums) – the keyword for what they perform here (all originals, except for “America”) is mellow… as you listen to the 6:53 “Waiting“, you’ll be as impressed as I am on this fine Great Northwest sunny morning… loved this tune!  “London Blues” isn’t exactly what you might think it would be from the title; in fact, it starts off with an excellent percussion intro that transitions right at the 1:25 mark to some of the best quartet jazz I’ve heard (yet) in 2017.  You get ten excellent tunes that are perfect for iPhone/Bluetooth playing (I’ve already played this album three times in my car player, & it remains a favorite)… of those, it was very easy to pick “Chic Korea” as my personal favorite… lots of well-coordinated energy and an excellent recording quality.  I give Andrew and his cohorts a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this very collectible album.  Get more information about this excellent player on Andrew’s bio page.   Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Alex Wintz – LIFECYCLE:  One of the sheer joys of doing a review magazine for an old jazzhound like me is getting to hear all the fresh new talent that’s out there, and Alex & his crew (tenor saxophonist Lucas Pino on tenor sax, Jimmy MacBride on percussion, Victor Gould doing piano, and bassists Dave Baron and Ben Williams) have put together a debut release that will absolutely astound you for the talent and energy displayed on this nine-song gem… Alex plays some of the most tasty jazz guitar you’ll hear this year!  Just listen to his full-bodied approach to playing jazz guitar on the mellow “I Don’t Stand a Ghost of a Chance with You“, and you’ll hear why I dug his playing within the first few bars of the opening track, and he leaves plenty of space for each of his players to shine on this great song.  Speaking of openings, the energy displayed on his original “Action/Reaction” will convince your ears that this young cat is the wave of the future when it comes to guitar jazz – & when Lucas’s sax kicks in, it just SOARS, folks!  It was the energy (not to mention the masterful changes) on “Taking Sides” that made it my pick for personal favorite.  If you’re looking for “wave of the future” jazz that’s totally accessible, this comes MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98.  You can get more information on Alex’s website.      Rotcod Zzaj   (author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Catherine Marie Charlton – I DREAM ABOUT THIS WORLD (THE WYETH ALBUM):  I didn’t realize just how prolific Catherine was until I read the promo material on this July, 2017 release; this is her twelfth release, and takes the listener even deeper into her intricate piano work than when I reviewed her “River Flow/Sanctuary” album in issue # 133.  Her concept for the beautiful music she immerses your spirit in grew out of her daily “Wyeth Walks” in scenic Pennsylvania (something I am well familiar with, since I grew up in the same area).  When you hear her integration of vocals on the wonderful and introspective title track, “I Dream About This World“, you will be just as amazed as I was… some excellent integration of strings into the piece as well.  The emotions she pulls from your heart on “Off at Sea” will bring you close to tears… just loved her pacing on this tune.  It was Catherine’s skillful weave of nature sounds, native drum and other instruments into the stunning 9:50 “Outside of Time, A Healing” that made it an easy pick for my personal favorite of the eleven inspiring songs she offers for your sonic enjoyment… one of the most engaging tunes of this nature I’ve heard (yet) in 2017.  I give her a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this most enjoyable musical adventure.  You can learn more about her at the Catherine Marie Charlton website.        Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Michelle Qureshi – SEVENTH WAVE:  Michelle’s work was very pleasant to listen to when I reviewed her 2016 album in issue # 163, and it’s even more enchanting on her new July 2017 release… the one word of advice I’ll offer right up front, though… be SURE you listen to this with your headphones on for your first sitting… as you absorb the enchantment she weaves for your ears on pieces like “Page of Cups“, you’ll understand why I say that – simple, yet beautiful.  The vibrant sonic waves on “Radiant Ones” will make your spirit soar with the joy of being and her shift to vocal at the 1:17 mark is a perfect change.  It was music much like this that my therapist (another story, far too long to tell here) recommended… full of innovation and imagination.  You get just over an hour’s worth of sonic beauty… for this reviewer, it is the full-tilt energy and beautiful tones on “We Were Once Like This” that made it my personal choice for favorite of the thirteen songs offered up for your aural enlightenment.  Michelle’s new album is one you will want to have in your collection, and it gets a MOST HIGHLY RECOMMENDED from me, with an “EQ” (energy quotient) rating of 4.99.  Learn more about this fascinating and talented artist at the Michelle Qureshi website.        Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Elysian – VOYAGEUR:  An absolutely tasty jazz 10-song adventure from double-bassist and percussionist Duncan Hopkins and his playing friends Thierry Peala doing vocals and Nikki Iles on piano… nine of the tunes are originals from Duncan, which always makes it more exciting for this listener!  Before we get to the originals, though, I want to ensure you understand that their work on the traditional spiritual “Wayfaring Stranger” is a perfect example of how well they play together… I’ve loved this song since I started singing it when I was about five, and they carry it to cosmic heights – simple, yet beautiful.  The one (very minor) criticism I have to offer for the album is that the copy I received for review didn’t have “track numbers” – that should be included on the next release.  The entire album is in a very mellow and thoughtful mood, but lighter moments are a part of the experience, too, as you’ll hear on “Escape To Madeira“… if you can’t escape with that wonderful scat work, you’re beyond all hope anyway.  The most impressive of the ten songs, ergo my personal pick for favorite, is “Behind The Lines“… solid jazz that will transport you to “other regions”… loved this one!  I give Elysian a HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98 for this fine album.  Get more information about this fine group on their CD Baby page.         Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Ernesto Diaz-Infante – MY BENIGN SWORDS:  There will be a few readers who have been following this magazine ever since it started way back in 1988 who know that I played on several tapes (now CD’s) with Ernesto, as well as a few live shows along the way.  To give you a rough idea of what those experiences were like, here’s a YouTube clip of one of the songs we did together:

The first thing I must offer up is an apology to him for only getting back around to his work on this unique and tasty submission… we sort of “lost touch” after I started on numerous deployments all over the world, but his unique guitar work just SHINES on tunes like “Fear Of Love” (these samples are linked in from Ernesto’s Bandcamp page for the album).  You CAN watch him in performance on this great June 2017 video, though:

But, I digress… as you listen to his on-the-spot improvs on pieces like “Yin“, you’ll realize that you’re in the presence of a true musical master… ’tis really nice to hear his work again!  In point of fact, if you don’t purchase any other album this year, this comes MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of a (perfect) 5.00 – meaning that it also gets a “PICK” for “best improvised guitar”.  Get more information at the Public Eyesore label page for the album.             Rotcod Zzaj

Ghost In The House – SECOND SIGHT:  The promoter who sends these particular types of albums just KNEW I would find this attractive… and the player list is totally impressive – Kyle Bruckmann, Tom Nunn, David Michalak, Karen Stackpole… with Special Ghosts: John Ingle, Dean Santomieri, Polly Moller, Cindy Webster, Bart Hopkin… names that ensure that any dedicated fan of improvised music will recognize one (or more) of.  David came up with the concept – tunes that all suggest an image, and it will be very easy, even for the novice experimental listener, to “see” what’s being sung/played about, as on the opener, “Ghost Train“; and the real beauty of what they’ve done with that idea is that the tunes are “accessible”!  If you can’t grasp the image on “The Bats” (scary though it may be), your ears (& maybe your heart) are “sonically dead”… this group of genuinely creative players have put together very pleasing sonic imagery that will hold a treasured position in your library.  The most impressive song, ergo my personal favorite, of the eight offered up is the marvelously intricate “The Dream Machine“… the recording is flawless and chock-full of sights through sound that you’ll not soon forget.  I give Ghost In The House a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this most inspiring and creative album.  Get more information on the Public Eyesore label page for the release.         Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Ryan Meagher – MIST. MOSS. HOME.:  Though Ryan’s band (part of the PJCE – Portland Jazz Composer’s Ensemble) is just down the road from me in Portland, his guitar, the sax from Tim Wilcox, bass by Chris Higgins and drums from Charlie Doggett have a decidedly “east-coast NYC” kinda’ feel… there are actually some pretty strong elements of rock merged in with the excellent jazz lines, and this one will have you tappin’ & snappin’ right along with the players.  I found tunes like “First Place” to be more than “just attractive”; they will be mainstays on any jazz listener playlist, and clocking in at nearly six minutes, it’s long enough for plenty of development room in their improvisations… too cool.  I first listened to & reviewed Ryan’s jazz guitar work way back in issue #92, so it’s been a while… as I listen to the haunting mellow on “Vasona“, it’s clear he & his fellow players have come a long way since those years… I would (most strongly) advise that you listen to this piece with headphones; in fact, it would be best to use the headphones for your first listen… simply stellar!  If it’s bright & lively you’re looking for, you’ll enjoy my personal pick for favorite of the eight tunes offered up, “The Hipster’s Folly“… a truly splendid opener for an album that gets my MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98.  Get more information on Ryan’s website.          Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

 

Clay Giberson – PASTURES:  As I listen to Clay’s superb jazz piano work (for the third time through the album now), one word comes to mind – POWERFUL!  His strong style first enchanted my ears in issue # 162, and he got (very) high marks from me on that release as well (in fact, I went back and listened all the way through that album, too – as I often do with jazz players who exceed all expectations).  On this (even better) release, he’s joined by Donny McCaslin on tenor & soprano sax & flutes, Drew Gress on acoustic bass and Matt Wilson on drums, and tunes like the 8:07 opener, “The Time For Now“, will capture your musical attention immediately… super recording quality, infinite mesh of the players and all of the other qualities that make a jazz song stay in your memory for the long term!  Drew’s bass intro on “Highwire” sets the tune up for exactly the “edge” energy you would expect from a song with that title – superb energy on this one!  My personal favorite of the nine tunes offered up is the wonderful “Infinity X“… an absolutely stunning piece that uses the full range of each of the players.  I give Clay and his players a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this most memorable album.  Get more information at Clay’s website.          Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)

Mamutrio – PRIMAL EXISTENCE:  Jesse Dockx, drummer extraordinaire from Belgium, helped to found this absolutely tasty jazz trio, and with his mentors & mates Piet Verbist (bass) and Lieven Cambre (saxophone), they put together some tunes you won’t soon forget… a “prime” example of that is the 5:26 “To Remember“… great drum intro from Jesse, with his partners weaving in right before the one minute mark… you’ll listen to this one over & over again (this reminds me quite strongly of some of the old ECM releases, but with a more straightforward energy).  I found the opener, “In Peace With Gravity“, to be one of the most attractive jazz trio pieces I’ve listened to (yet) in 2017; some of that may also have to do with the fact that this is the longest cut on the album (9:43), with the gradual development of the tune in a “musical conversation” sort of way leaving the listener completely satisfied.  This is a debut recording, and after listening to the entire one-hour set, I guarantee you will surely be hearing much more from these talented players… if you listen to my personal favorite of the ten songs offered up, “You Are Too Beautiful“, you will (easily) realize why I say that, too… fantastic bass intro, and a wonderful interaction between the players that will make you glad you’re a jazz fan.  I give Mamutrio a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98 for this fine debut.  You can get more information at Piet’s website.         Rotcod Zzaj(author’s note: IF you decide to purchase this, please use the AMAZON link below to help with our Amazon Associates membership – thanks)